This September, Houston cements its reputation as a cultural capital with the debut of Untitled Art Houston, an international contemporary art fair set for September 18–21 at the George R. Brown Convention Center. With 80 galleries from 21 countries across Asia, the Americas, the Caribbean, Oceania, and Europe, the inaugural edition signals Houston’s arrival on the global art stage.
According to organizers, the fair’s Special Projects, prizes, live podcast panels, institutional presentations, and community partnerships will spotlight Houston’s rich cultural fabric while “furthering Untitled Art’s mission to champion creative innovation in contemporary art and reflect Houston’s distinct cultural identity and international reach.”
As one of the most multicultural metros in the U.S., Houston is fertile ground for this new global gathering. And while you’re in town, the city’s art ecosystem — from sprawling creative campuses to pioneering galleries and folk-art landmarks — offers plenty of inspiration.
Sawyer Yards: Where Houston’s Creativity Lives
Just three minutes from downtown, Sawyer Yards holds the largest concentration of working artists in the nation — approximately 430 creatives spread across reclaimed warehouses and industrial spaces.
“This is the place to encounter the local creative landscape,” one staff member explained, “a cultural destination where over 400 artists create, exhibit, and make their work accessible to the public every day.”
At the heart of Sawyer Yards is Silver Street Studios, the largest collection of working art studios with open galleries. The building’s giant mural hints at what’s inside, where hallways double as exhibition spaces.
On my Saturday visit, I stepped into the studio of Chu Okoli, one of Silver Street’s original artists, who was painting his signature layered circle portraits. “Everything in the universe is cyclical, and that idea is what I capture on canvas,” Chu told me. “I create these circles all free-hand to achieve precision and fluidity. There are no tools or mechanical devices involved in creating my reality.”
Chu explained that his inspiration comes from “atoms, sound waves, pebbles, and the planets.” His freehand concentric art has earned him international acclaim, including a painting award at the Florence Biennale in 2018.
A few doors down, Rodrigo Aguilera was tracing thread in mosaic patterns on a canvas. “I paint inside the threads, breaking the picture into parts,” he explained. “My process starts with drawing on the canvas then tracing the drawings with thread before painting in the spaces.” The result? Works he describes as “organic pixels” — abstractions that shimmer like stained glass.
Sawyer Yards is also a place to linger. “Many of the structures have been reclaimed rather than rebuilt, respecting the buildings’ original character,” one guide told me.
And with artisanal restaurants like Maven Coffee and Cocktails on site, you can make a full day of exploring art, meeting artists, and savoring the creative energy.
Betty Moody Gallery: Houston’s OG Contemporary Space
For a more historic perspective, visit Betty Moody Gallery in Montrose, which celebrates its 50th anniversary in 2025. Betty, who moved to Houston in 1967 when the gallery scene was sparse, opened her own space in 1975 with six artists. Today, her roster has grown to 19.
“We have three gallery spaces — a front, a middle and a garden gallery,” Betty explained. “We showcase the work of our stable of artists and also work the estates of artists we’ve represented for many years.”
Betty is known for her discerning taste. “I don’t like trends,” she said. “I appreciate individuals who have honed their craft and know how to execute it well. I have a very eclectic taste and I’m drawn to a wide range of things.”
As she walked me through her current exhibition, Betty pointed out the works of Melissa Miller, a Texas-born artist with pieces in major collections worldwide. “Melissa’s work shows that personal vision I value so much,” Betty said. She also highlighted the autobiographic drawings of Michael Bice and the intricate drawings of Randy Twaddle, whom she’s shown since 1985.
The gallery is also directly tied to Houston’s newest cultural milestone: Untitled Art Houston. Betty and her team will participate in the fair, with Twaddle serving on the host committee. “I really am supportive of cultural happenings in Houston, which is why I decided to participate,” Betty explained. “Plus, it’s a great way to promote and celebrate our 50th anniversary.”
Looking back on her career, Betty reflected: “When I first moved here, there were four art galleries. With the oil boom in 1973, galleries started as the city grew and prospered. I’ve seen the cultural arts just mushroom. I’m really happy to be part of a city like this.”
Folk Art with Flair: The Beer Can House
Houston’s art scene isn’t just about polished galleries. It also embraces the quirky and unexpected, like the Beer Can House in the Heights. Built in the 1970s by retired railroad worker John Milkovisch, the house is covered in flattened aluminum cans and garlands of can lids that chime in the wind.
Houston’s famously lax zoning laws allowed this folk-art wonder to coexist with surrounding modern townhomes. Today, it’s one of the city’s most beloved oddities — and a testament to Houston’s embrace of individual creativity.
Why September Is the Time to Visit
Between the debut of Untitled Art Houston and the city’s diverse art spaces — from Sawyer Yards and Betty Moody Gallery to the Museum of Fine Arts, Menil Collection, Rice University’s arts center, the Noguchi Garden, and more — Houston offers a cultural immersion that’s as eclectic as it is inspiring.
As Betty put it: “I had no idea I’d be in business this long, and I still love it. I’m hoping I’ll keep on for another decade — who knows?” That spirit of passion and perseverance seems to capture Houston’s art world itself — bold, enduring, and always evolving.
✨ If You Go:
- Untitled Art Houston runs September 18–21, 2025 at the George R. Brown Convention Center.
- Don’t miss Sawyer Yards’ Second Saturday Open Studios, when hundreds of artists throw open their doors to the public.
