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What Italian Piazzas Teach Us About Outdoor Entertaining at Home

Outdoor entertaining at home never quite clicked for me until I spent an evening in a small piazza in Lucca. There was nothing fancy about it. Stone walls on three sides, a few cafe tables pushed together, string lights sagging between shuttered windows, and a group of strangers sharing plates of crostini like they’d known each other for years. Nobody checked the time. Nobody reached for a phone. The space itself did all the work. That night rewired how I think about hosting outside. It’s not about buying more stuff or following a trend. It’s about shaping a space that tells people to stay. Whether you’re reworking a tired patio or building a dedicated deck for gathering, the piazza mindset starts with three old lessons that most American backyards ignore completely.

The Piazza Principle: Why Shape Matters More Than Size

Most people start planning an outdoor space by measuring square footage. Italians start by thinking about edges. Walk through any piazza in Siena or Bologna and you’ll notice the same thing. Buildings wrap around the open center and create a feeling of being held. You’re outside, technically, but it feels like a room.

American backyards almost never have that quality. They’re flat, open, and exposed. Guests arrive, scatter across the lawn, and end up standing in awkward clusters near the grill. There’s no center of gravity. Compare that to Piazza del Campo in Siena, where the whole city slopes gently inward like a shallow bowl. People don’t drift apart there. They drift together. The architecture does the social work for them.

You don’t need medieval buildings to get that effect at home. A pergola along one side of a deck creates a wall of shade and visual weight. A row of tall planters draws a line that says “this is the room.” Even a simple bench pushed against a railing gives the space a back wall it didn’t have before. The trick is defining edges first and picking furniture second. Get the shape right and guests will arrange themselves without thinking about it. Skip the shape and no amount of throw pillows will fix the problem.

Materials That Age, Not Materials That Last

Here’s where Italians and Americans disagree the most. Walk through a hardware store in the U.S. and every outdoor product screams “weather-resistant” and “looks new for years.” That instinct makes sense on paper. In practice, it’s why so many patios end up looking like a showroom nobody wants to sit in.

Piazzas don’t fight the weather. They absorb it. Travertine gets smoother with foot traffic. Terracotta darkens with rain and dries lighter. Old wood beams turn silver and somehow look better every decade. There’s a word for this: patina. And it’s the thing most outdoor spaces in America are missing.

For homeowners in the Pacific Northwest, this matters even more. Seattle and the Puget Sound region get around 150 days of rain a year. Cheap composite warps. Glossy finishes peel. But western red cedar silvers naturally and handles moisture without looking tired after a couple of seasons. The lesson from Italian piazzas is simple. Pick one honest material for your deck or patio floor and let everything else follow its lead. Stone, natural wood, or a quality composite that doesn’t pretend to be something it’s not. That continuity is what gives a space its calm. One material repeated with restraint beats five trendy finishes competing for attention.

Light, Food, and the Art of Lingering

I remember the exact moment the piazza in Lucca shifted from pleasant to magnetic. It happened when the sun dropped and the string lights came on. Not bright. Not dramatic. Just warm enough that nobody wanted to leave.

Most American outdoor spaces get lighting wrong. A single floodlight mounted above the back door turns the whole yard into a parking lot. Piazzas do the opposite. Light comes from the sides and below. Wall sconces. Candles on tables. Lanterns on steps. The goal is pools of warm glow, not uniform brightness. At home, string lights hung at fence height do more for the mood than any expensive fixture bolted to the eaves. Add a few lanterns on the deck stairs and a cluster of candles on the table. That’s it. Done.

Food works the same way. Italians don’t serve one big meal outside. They build a slow timeline. Aperitivo with olives and cheese. Then something grilled. Then fruit and coffee. The meal stretches because it’s designed to stretch. Copy that. Stop planning a dinner and start planning a sequence. Put out a board of simple snacks when guests arrive. Grill something an hour later. Bring out dessert when the conversation hits its stride. People stay longer when there’s always one more small thing coming. That’s the piazza secret nobody talks about. It was never the stone or the architecture. It was the rhythm.

Build the Invitation, Not Just the Structure

That evening in Lucca keeps coming back to me. What I remember most isn’t the food or the buildings. It’s the quiet feeling that nobody needed to be anywhere else. The space said “stay” and everyone listened.

A well-planned deck or patio can do exactly the same thing. Shape the edges so the space feels like a room. Choose materials that get better with weather instead of fighting it. Light it low and warm. Serve food in chapters, not courses. Outdoor entertaining at home doesn’t need to be complicated. It just needs to be intentional.

The hardest part usually isn’t the vision. It’s the execution. Getting the proportions right, picking materials that actually suit your climate, making sure the lighting plan works after dark. That’s where finding the right team to bring it together matters as much as the design itself.

Pick a weekend this month. Move your table, hang some lights, invite a few people over for something simple. Then watch where they sit, how long they stay, and whether anyone reaches for their keys before you’re ready. If the dishes are done and the conversation is still going, you’ve built yourself a piazza.

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Karen LeBlanc

Karen LeBlanc is an award-winning travel journalist and storyteller, honored with two Telly Awards and four North American Travel Journalists Association (NATJA) awards for The Design Tourist travel show. As the show’s host, producer, and writer, Karen takes viewers beyond the guidebooks to explore the culture, craft, cuisine, and creativity that define the world’s most fascinating destinations.

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