Artist Tim De Vries exposes secrets with transparent epoxy resin. By hiding the items in plain sight, he questions the secretiveness of it all.
Tim De Vries was born in a village in the Netherlands, but the limits of his provincial upbringing, combined with his childhood love of Hollywood movies like Wolf of Wall Street, Back to the Future, and Beverly Hills Cop, led to a desire for a different kind of life. He even dreamed of becoming an archaeologist, like his hero, Indiana Jones. As he grew older, he realized it was not so much archaeology, but the glamorous and exciting lifestyle of a treasure hunter that intrigued him.
The Netherlands are known to most art enthusiasts for portrayals of idyllic landscapes, and painters like Rembrandt who reveled in the depths of light and shadow. These images were rooted in the society of the time. Like these artists, De Vries’ imagery is drawn from the society he lives in, but the world he inhabits is a radically different one from the painters of centuries ago, and his creations reflect this fact.
De Vries’ path as an artist has not been a traditional one. He studied business in Amsterdam, and went on to work in real estate in Ibiza. In Ibiza, he was able to experience the nightlife he had dreamed of as a young man, which inspires his work to this day. Through these experiences, he learned to question both his rural childhood and the big city party lifestyle he has adopted.
Important influences on De Vries’ work include Andy Warhol and Roy Liechtenstein, along with figures like Arman and James Rosenquist. In his early career, artists like these inspired him to make his own sunglasses into a piece of art, which set him on the path he continues on today. He started off with a collection of design objects, and from there learned various sculptural techniques allowing him to manufacture these objects himself.
De Vries aims to shock and surprise, and isn’t shy about it. He uses his art to question why some things are hidden and others are left out in the open, and through this line of questioning, he reveals unspoken social norms. The phrase “hidden in plain sight” has become a touchstone for his creative work. The contradictions in his work reflect the contradictions of the world he observes.
Many of De Vries’ pieces make use of epoxy resin, a clear substance in which he embeds everyday items. These items, clearly visible but impossible to touch, embody his philosophy. What he demonstrates with these objects is that much of what we know about how the world works happens behind closed doors. Although the rules are unspoken, the unspoken is not unknown, and this is the dilemma his work brings to light.
The Hangover Table, a clear table embedded with items referencing his own life, epitomizes De Vries’ aesthetic. Here we see what happens behind the scenes- but isn’t commented on in polite company. The objects collected here reference sex, drugs, and money, mimicking the remnants of a wild night out. A casual viewer might at first mistake it for a real scene, rather than a piece of art, reflecting how De Vries invites the everyday into his art.
Pieces like Cold Cash (2018), and Gold Rush (2018), give the viewer a window into the illicit. Both take the form of transparent briefcases, showing contents of dollar bills and gold bars. Others, like Light Saber (2019), of course a Star Wars reference, are drawn from pop culture.
Much of his work also draws from his memory of growing up in the 1980s. A 2019 piece titled Gordon Gekko Brick Phone is one such example, drawing on a retro aesthetic and Hollywood nostalgia. The bronze reproduction of the now outdated brick phone showcases his sense of humor. It is the immediately recognizable trademark of an era.
He continues to take his inspiration from the world around him, drawing from current events, pop culture, alongside his own experiences and views of modern society, as pointed criticism comes together with nostalgia.
De Vries objects to the unwritten rules of society. Questioning and exposing modern life is a crucial part of his conception of the role of the modern artist.
De Vries also has a message for his fellow artists: the myth of the “starving artist” is just that, a myth. We are all familiar with the stereotype of the artist who suffers for their art- many know the story, for example, of Van Gogh, who died without selling a single painting. Stories like these lead many to believe that the artist must be a lonely, penniless, misunderstood genius, but as De Vries himself will tell you, this doesn’t have to be the case.
De Vries aims to inspire other artists to look beyond the idea that you have to live in poverty to make art. Outside the studio, he enjoys skiing in the Alps, and splits his time between Amsterdam and Ibiza. The sale of his art contributes to his ability to spend time living a life many only dream of.
Filtered through his own experiences and memories, De Vries aims to create work that is exciting and accessible, without sacrificing his conviction that art can expose society’s hypocrisy. In his world, everyday objects tell funny, flashy, and intriguing stories about the society we live in.
To learn more about Tim he can be reached by Instagram @studiotimdevries
Author: Ian Monroe
PULSE Art Fair, one of the first satellite fairs to join Art Basel Miami, celebrated its 15
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The Casspir Project is a multidisciplinary fine art exhibition that encompasses a variety of media including installation, photography, oral history, and documentary film in response to Apartheid’s effects on South Africa’s culture and community.
PULSE Art Fair is my antidote to fair fatigue during the art-saturated week of shows and fairs because of its original programming, cutting-edge installations and sensory-rich experiences. I highly recommend this annual art fair during Miami Art Week.
ZAZ Corner will feature different artists and motifs on a monthly basis. ZAZ10TS kicks off the program in February with new media digital work based on a stylistic “nature” theme curated by Lightbox. The February program brings artistic greenery into the neighborhood and is designed to juxtapose the calming nature images with the surrounding concrete structures and hustle-bustle of Times Square.
The gallery’s mission is to help shape the discussion between art and design and to further increase the presence of cutting-edge design within the larger art world. 
Functional Art Gallery works with artists and designers who push the line between aesthetics and purpose, form and function, perception and intent.
The art installation Roots called attention to “alarming changes in nature and our environment” including disappearing forests and wildlife, polluted air and oceans, rising sea levels are rising, and an increase in extreme weather phenomena. Delta Air Lines and the Sacred Space Miami presented Roots by Atelier Marko Brajovic, curated by Ximena Caminos and produced by Alberto Latorre. The idea behind the art is to stimulate cultural and artistic responses to environmental change. 
The Roots pavilion is a self-supporting aluminum branching system wrapped with fine custom-made ropes and was designed by a parametric software mimicking the natural growth of a mangrove rooting system. In the middle of the pavilion, a large deck is used as a collective space for ceremonies and for three traditional Amazonian hammocks from which visitors can experience the immersive documentary SACRED COCA.
Learn more about the artists and art objects featured at Design/Miami in new episodes of The Design Tourist filmed at Miami Art Week.
The overarching theme at both shows was about creating awareness and connecting with humanity. At Spectrum Miami, I ran into two strange-looking characters clad in rags roaming the show as social sculptures. They were wearing Ghillie Suits, camouflage garb traditionally worn by snipers outdoors to blend in with their surroundings.
Companies such as The 
The faux-leather finish on the ear cups is made from fungus, and the mesh over the speakers is derived from biosynthetic spider silk produced by microbes
To understand the evolution of an artist, I like to explore the backstory—where the seeds of creativity first sprouted. Brad Joffrion drew inspiration from his childhood growing up in Donaldsonville, Louisiana, along the bayou and neighboring sugar cane fields. “In high school, I was the go-to person to draw banners for different events at school. At that time, swamp scenes were sort of my specialty. I grew up fishing in the Atchafalaya Basin and was fascinated with the scenery,” says Brad, whose extended family claims several artists. 
Bard’s signature style infuses colorful epoxy into his woodworks— an aesthetic he developed by experimenting with the materials. “I started experimenting with epoxy which appealed to my left brain due to the precise nature of epoxy. There are a lot of variables that can affect the curing of epoxy such as environmental conditions, the accuracy of the two-part mixture, mixing speed, etc. There were many occasions where I stayed at the woodshop for 12 hours straight and alone. No music, just me and my creation speaking telepathically to each other.”
“My wish is to design objects for people with them in mind. For example, the recent black walnut with black epoxy dining table I designed and created. The base of the table tells a story of the couple who purchased it. The husband is a retired airline pilot and the wife was a boat captain for a large pleasure boat. Hence, the base resembles the vertical tail wing of a large passenger jet and there is a compass made of stainless steel accenting the center of the base.” 
In this northeastern region of France, you’ll find one of the biggest artificial lakes in Europe, Lac de Charmes, which is surrounded by beautiful trees boasting vibrant foliage. Although it’s not too far from Paris, Haute-Marne is still off the beaten track and truly breathtaking, full of forests, fields, rivers, and ancient towns that feature some of the quaintest autumnal aesthetics.
Located in Southern France, Limoux is covered in vineyards, which make for a splendid sight of varying shades of gold and burnt orange. You may have heard of the area for its invention of sparkling wine, and fall is the best time to come and drink it. Various small wine shops and bars allow for a lovely day of exploration and relaxation while you take in the fall air.
Capital of the Grand Est region in northeastern France, Strasbourg is full of tree-lined streets—so a midday stroll will provide you with beautiful views and wonderful memories. Head to the city’s two largest public parks, Parc Palais du Rhin and Parc de l’Orangerie, for blissful views
You may have doubts about this urban locale, but Paris is actually a marvelous haven for autumn-lovers. Strolling the streets is an option, but there are also plenty of opportunities for leaf-peeping in the city’s many beautiful parks. Some of our favorites are as follows: Jardin des Tuileries (or the Tuileries Garden), Parc des Buttes-Chaumont, Bois de Boulogne, or—if you’re feeling spooky—Cimetière de Montmarte.
The charming region of Aveyron is a place full of magical villages located on high ridges, where you can get lost in the fall feel. It’s a wonderful destination for people who love painting or photography, but it also makes for a soothing vacation of long and beautiful walks where the scenery constantly changes. You’ve never seen a wider spectrum of colors than on the trees in Aveyron.
France’s Provence region is a beautiful place to behold. Hundreds of vineyards showcase their dazzling fall colors, and the various quaint towns offer some of the most quintessential French village vibes. We love the Luberon, a mountainous area in the region, for that reason as well—consider staying in a 
When you head to Playa Herradura and the beautiful Los Sueños Resort & Marina, you’ll be smack-dab in the middle of a ton of adventurous pursuits. Their 
Big Sur used to be one of California’s most remote areas, and people have long taken advantage of the Santa Lucia mountains and their famed drop into the ocean. When you plan a trip there today, you’ll find ample opportunities for hiking, camping, fishing, and more. Hike to Pfeiffer Falls or Sykes Hot Springs—there are so many beautiful things for you to explore.
Whether you go to Argentinian or Chilean Patagonia, you’re in for a vacation full of adventure and exploration. Go off-roading through the mountains, horse riding, cycling, or climbing. If you want to see the views of a lifetime, take the W Trek, which takes you through the Torres del Paine peaks, glistening lakes, and dense forests.
The United States has so many national parks we could have listed, and they’re all wonderful options. We chose to put Acadia on this list for a few different reasons: it’s the only national park in New England, the fall foliage is some of the best in the world, and it has stunning ocean and mountains views. You can bike, you can hike, or you can just take a drive and enjoy the views. A relaxing adventure isn’t hard to find here.
Bigger than Germany and Belgium combined, the Yukon offers adventurous travelers some of the most pristine wilderness for exploration. Set up camp at Whitehorse, then head out for a trip full of exhilarating experiences. Glacial white water rafting has never been more exciting. Alpine climbing has never gotten you so close to wildlife. If you don’t mind heights, take a helicopter to the top of a glacier and then go for a hike—it’s an unbelievable experience.
Download the 
On Sundays, eat dinner early. The kitchens at most restaurants close early so finding a place for a late-night dinner can be challenging. My advice is to dine before 9 pm. 
As the holiday season approaches, attention turns to planning parties, events and decorations. The overarching theme for holiday decorating is authenticity and craftsmanship with a generous dose of Mother Nature. One of my favorite sources for holiday décor trends is the 
Sweet Traditions is a theme emerging from Christmasworld, a massive trade show of holiday decorations held in Germany. Christmasworld describes it as joyful and personalized with decorations of handwritten messages and hand-drawn images in fresh colors such as peach, red and berry tones. Imagine Christmas stars in various sizes, made from paper and folded, cut, glued and painted all by hand.
The color scheme includes reds, blues and gold, accented with black, pinks and purples. 
A tiny house resort in Lancaster County, Pennsylvania offers 
One of the more fascinating installations is a virtual reality book that you can “read” by downloading 
Several years ago, I was introduced to Silver Oak Cabernet as the guest of a friend at a wine tasting dinner. I instantly fell in love with its bold, black fruit character with notes of spice and vanilla and the wine’s oaky finish that comes from American White Oak barrels that the wine ages in. 
For many wine lovers, the art of enjoyment comes from the ability to decipher and appreciate a wine’s bouquet and taste. Silver Oak achieves its subtle perfection by blending the wines prior to barreling.
Jordan sells primarily to restaurants— about 70 percent of their cabs with the remaining 30 percent available in wine stores. Rob Davis, the winemaker, has handcrafted every vintage of Jordan since the inaugural 1976 and is the second-longest tenured winemaker in the US. He is known for a European style of winemaking that isn’t done much in California.
American oak is known for bringing more aggressive aromas of dill and coconut to red wines. French oak is considered more subtle, imparting spice aromas and a silky texture in part because its tannins have a strong attraction to the grape tannins. 
The original dining room was decorated in an 18th-century French style. De Sousa and his staff reimagined the aesthetic, retaining its best architectural features while introducing new design elements to reflect the chef’s culinary philosophy of bringing flavors of the surrounding countryside to the plate. “The Jordan dining room is now not only an homage to old-world France, it’s also a portrait of the surrounding estate and the chef’s philosophy,” notes Geoffrey De Sousa, proprietor of Geoffrey De Sousa Interior Design and De Sousa Hughes. 
Lunch starts with an amuse-bouche paired with NV Brut Jordan Cuvee by Champagne AR Lenoble. 
Next, I taste a 2017 Jordan Russian River Valley Chardonnay. The grapes are hand-picked at night when the fruit is cold to lock in that acidity and flavor. The fruit is then pressed immediately and fermented in French oak barrels and stainless-steel tanks for 6 months.
Chef Knoll pairs the 2017 Chardonnay with Bisque of First Peas and Favas chilled with Maine Lobster. Next, I’m served Roasted Knights Valley Lamb.
The dish is paired with Jordan’s 2015 Cab, that first release aging in only French oak barrels. “2015 was a cooler year yielding more of a French style of wine,” says Mattson. 
Chef Knoll makes sea salts and the estate grows olive trees to produce Jordan Estate Extra Virgin Olive Oil, both of which are on the table to enhance the tasting experience. 
While dining, I can’t help but admire the visual metaphors that connect with the estate’s topography. Deep gray walls are painted with Benjamin Moore French Beret and accented with a forest-like patterned wallpaper called Midsummer Night from Wall & Deco, created by graphic designer Lorenzo De Grandis of Milan, Italy. 
The dining room’s original high-back chairs were restored and reupholstered with intricate chair embroidery by a renowned, haute-couture artist based in London. Each embroidery pattern is distinct and inspired by the vibrant, moss-carpeted rocks and lichen found across Jordan Estate. 
French Beaux Arts-inspired lighting illuminates the room selected by San-Francisco based designer Jonathan Browning Studios. Floor-to-ceiling drapes in gold leaf, frame large windows that take in panoramas of the golden hills visible across Jordan’s estate. Dining tables congregate around a bronze fireplace hearth by Sonoma County metalsmith Randell Tuell of Tuell + Reynolds. 
I also learn more about Jordan’s sustainable and holistic practices. The vineyard uses a plant substance called Dust Off on its roads to reduce dust and a clay-based sunscreen on the grapes to prevent sunburn. 
“We take into account the impact every viticultural and winemaking decision has on the native ecosystems under our care. Jordan’s electrical use is carbon neutral, with roughly 90 percent of our electricity coming from hillside solar arrays behind the winery and the rest from renewable resources through the Sonoma Clean Power program,” says Mattson.
Lunch culminates with a Tupelo Honey Baked Alaska featuring spring bee pollen from the Jordan estate apiary and several locally-made artisan cheeses plated with a 2013 Jordan Cabernet Sauvignon, Alexander Valley.
The meal crystalizes a certain synergy that exists in Sonoma County between its many different artists and winemakers who share a common passion for high-quality food made to complement local wines. Jordan, like many local wineries, promotes locally made foods and products with guests. 
Guests at Jordan’s Estate Tour and Tastings can appreciate custom-made serving plates by a ceramic-making husband-wife team, 
My tour ends with a visit to one of the guest suites located in the chateau available
Once a consumer spends $500 with Jordan, she/he becomes a Silver member and gains access to booking Private Tables in the dining room and at the Gold and Platinum levels, overnight stays in the guest suites. For more on booking tastings and tours, go to 
Quivira’s winegrowing program is a collaboration between winemaker Hugh Chappelle and viticulturist Ned Horton, the vineyard manager who aligns the property’s farming practices for fine winemaking. 
For this writer and bibliophile, I had planned the ideal morning. The 
Writers toil alone and words aren’t particularly selfie material. I wondered how the founders managed to fill an entire museum with something others want to see and experience sans the social media lure of competing attractions? The museum supersedes the visual limits of words by capturing the behind-the-scenes struggle— a writer’s daily summoning of the personal muse in hopes of entering that ethereal dimension of creative flow where all sense of time is lost as the words pour forth.
On the Road became a defining work of the Beat Generation, a loose collaborative of artists and writers who rejected the mainstream in favor of the experimental and spiritual. 
My other favorite exhibit was Mind of a Writer. This walls of this inspirational gallery are filled with quotes from famous writers about their creative process and craft. 
The gallery offers insights into how a writer thinks as well as the daily discipline and habits necessary to get the work done. 
I was intrigued by the raw honesty in many of the quotes that capture a writer’s self-doubt and fear that they will never be published— that lurking dread that they have gambled away their time on a manuscript that no one reads. 
Another highlight of my visit was the First Lines exhibit, a wall of handwritten first sentences of novels written by accomplished authors. 