In this episode of The Design Tourist, host Karen LeBlanc travels to Regensburg, Germany, a UNESCO World Heritage to explore the link between the city’s culture and creativity through its architecture, art and handicrafts. We’ll shop the city’s many artisan stores and regional handicrafts at its famous Christmas Markets and learn about Regensburg’s Bavarian history and heritage.
Collectors bring curiosity to a week of Miami art fairs making emotional connections and purchases.
The Design Tourist, aka Karen LeBlanc, at PULSE Art Fair in Miami Beach during Miami Art Week.
Miami Art Week takes place Dec. 3-8, 2019 with more than 80,000 collectors, curators and art enthusiasts attending art fairs anchored around Art Basel Miami Beach. The defining trend of this art fair frenzy is the concept of emotional collecting, art purchases propelled by personal connections with works.
Kazuyuki Takishita, an artist from Tokyo, Japan brings his works to PULSE Art Fair with Gallery Art Composition. His art was a PULSE Prize Nominee.
With more than two dozen satellite art fairs throughout Miami Beach and Miami, fair fatigue can set in from sensory overload. PULSE Art Fair in Miami Beach aimed to be the antidote by creating a sensory soothing backdrop for contemporary art on exhibit. “Our theme is Calm in the Palms. We want to be a destination, not an event on the checklist. PULSE is not just an art fair. It’s an experience. I want people to come here, relax, feel the PULSE environment so that they can absorb the artists here to their fullest extent,” says PULSE Art Fair Director, Cristina Salmastrelli.
PULSE Art Fair, one of the first satellite fairs to join Art Basel Miami, celebrated its 15th year with a curatorial theme that stimulates the five senses. The fair’s signature scent by Aroma 360 permeated through the aisles as an invigorating infusion for fairgoers, who were invited to touch the artwork in many of the gallery booths. A soundscape of cicadas created by PULSE Project Artist, Sandra Mohs soothed and focused attention.
Many of the works piqued curiosity and started conversations creating connections between the art and collector. “Emotional collecting is emerging as a strong trend in the art world. The tendency is to think of traditional collections as governed by strict rules that focus art in a certain genre or style, whether it’s emerging artists, print or photography works. In the last five years, more people are coming to our fairs with a curiosity and no rules for collecting. That has led to emotional buying where someone walks in; they are struck in some way by a piece and they buy it. That to me is very exciting,” explains Salmastrelli.
Meguru Yamaguchi, Out of Bound No. 77, 2018 is acrylic, plastic, epoxy, and UV paint on shaped wood board, presented by GR Gallery at PULSE Art Fair
“We must reflect the population that lives here year-round and we need to offer an international experience. We have artists from five continents here, which I’m very proud of because we need to see how creativity in all corners of the globe. When I vet the galleries and artists that apply to exhibit at PULSE, I want to make sure I’m not giving you just one point of view but all,” Salmastrelli says.
Hyperrealistic charcoal drawings presented by Galerie ALB, Paris at PULSE Art Fair during Miami Art Week
Works with emotional resonance include the hyperrealistic charcoal drawings of Galerie ALB by French artist Nicolas Pegon. “It looks like a photo but it’s charcoal drawings from a French artist. We came here to present Nicolas who works in hyperrealism drawings for 10 years now. He takes people’s surroundings, people of his family and he does these mise-en-scene works,” says Anouk Le Bourdiec, gallerist, Galerie ALB.
The Rendon Gallery presented the Casspir Project by South African artist Ralph Zim including this outdoor installation, the SPOEK 1 covered in colorful beads at PULSE Art Fair during Miami Art Week
South African artist Ralph Ziman makes a powerful statement about social justice and violence with The Casspir Project presented by The Rendon Gallery. Ziman covered in beads a Casspir, an armored, all-terrain vehicle developed in South Africa in the 1970s. The Casspirs were used extensively by the South African Police, as well as the South African Defense Force, against civilians in urban township areas from the late ‘70s through early ‘90s during apartheid. Developers of these vehicles named them Casspirs, an anagram combining the name of the designer (the Council for Scientific and Industrial Research, CSIR) and the end-user (the South African Police, SAP).
The Casspir Project is a multidisciplinary fine art exhibition that encompasses a variety of media including installation, photography, oral history, and documentary film in response to Apartheid’s effects on South Africa’s culture and community.
Sophie Derrick self-portrait on view during PULSE Art Fair. For more go to www.degreeart.com
Artist Sophie Derrick plays with painting and portraiture using the body as both an object and subject.
Sophie Derrick self-portrait on view during PULSE Art Fair. For more go to www.degreeart.com
She photographs the act of painting onto her skin then paints on top of the photographs, creating a layering of the image of paint and painted image, blurring the boundaries between the two.
Port-O-Potty by Zeke Moores presented by Art Mur on view at PULSE Art Fair during Miami Art Week.
Port-O-Potty by Zeke Moores presented by Art Mur takes a disposable, dejected object taken from the street and places it into the artistic context of a gallery space. The artist uses metalsmith techniques to create his Port-O-Potty, usurping the traditional modes of mass production and the disposable materiality that we associate with these objects. Moores uses mechanized assembly line production and objects made to be thrown out and transforms them into a craftsman’s labor of love.
PULSE Art Fair is my antidote to fair fatigue during the art-saturated week of shows and fairs because of its original programming, cutting-edge installations and sensory-rich experiences. I highly recommend this annual art fair during Miami Art Week.
One of South Florida’s Oldest Homes Celebrates its 100th Anniversary
Bonnet House Museum & Gardens, Fort Lauderdale, Florida. Photo credit: Bonnet House Museum & Gardens
Bonnet House Museum & Gardens, an eclectic 1920s winter retreat that became a popular tourist destination in South Florida, celebrates its Centennial in 2020 with a yearlong events calendar.
The 35-acre subtropical estate in east Fort Lauderdale resides on what is one of the last examples of a native barrier island habitat in the region.
Grounds of the Bonnet House Museum & Gardens, Fort Lauderdale, Florida. Photo credit: Bonnet House Museum & Gardens
The Birch/Bartlett family built the home in 1920 as an unusual amalgamation of art, architecture and ecology. Early settler Hugh Taylor Birch purchased the Bonnet House site in 1895 and gave the property as a wedding gift to his daughter Helen and her husband, Chicago artist Frederic Clay Bartlett, in 1919.
Helen and her husband, Chicago artist Frederic Clay Bartlett. Photo credit: Bonnet House Museum & Gardens
The newlyweds started construction of Bonnet House in 1920. After Helen’s death from breast cancer in 1925, Frederic married Evelyn Fortune Lilly. In the 1930s, the couple embellished Bonnet House with the decorative and whimsical features that draw visitors from around the world.
Evelyn Fortune Lilly and Frederic Bartlett Photo credit: Bonnet House Museum & Gardens
Frederic Bartlett was an accomplished artist producing works acquired by several respected collections. He also worked on mural projects with American architects including Howard Van Doren Shaw. Frederic’s easel art is on display in the BonnetHouse studio and his murals and faux painting decorate the main house.
Evelyn Fortune Bartlett began painting in 1933, and her work was featured in popular gallery exhibits in Boston, New York, and Indianapolis. Her works are today on display in Bonnet House’s Carl J. Weinhardt Gallery.
Bonnet House Museum & Gardens, the eastern facade of the house. Photo credit: Bonnet House Museum & Gardens
The Bonnet House’s main house is based on Frederic’s interpretation of Caribbean-style architecture. He designed the principal buildings including the main house, art studio, music studio and guest house. After Frederic’s death in 1953, Evelyn returned to stay at the property each winter. In the 1980s, she donated the property so the public could enjoy it.
Grounds and gardens of Bonnet House Museum & Gardens. Photo credit: Bonnet House Museum & Gardens
“Throughout its remarkable 100-year history, Bonnet House has preserved the beauty, creativity and unique style of the Bartletts and Birches, and the early 20th-century lifestyle, with incredible authenticity,” said Patrick Shavloske, CEO of Bonnet House Museum & Gardens. “Not many landmarks in Florida have reached 100 years ― it is truly amazing how this estate and property have stood the test of time. It is a pleasure to help today’s community connect with the Bartletts’ architectural, artistic and environmental legacy.”
Bonnet House Museum & Gardens
Tucked away from the development along Fort Lauderdale Beach, Bonnet House Museum & Gardens is today accredited by the American Alliance of Museums. It was listed on the National Register of Historic places in 1984 and declared a historic landmark by the City of Fort Lauderdale in 2002. In 2004, the National Trust for Historic Preservation included Bonnet House in its Save America’s Treasures program.
The grounds have witnessed 4,000 years of Florida history with human activity on the site dating back to 2,000 B.C., evidenced by a shell midden left by the Tequesta people. Other archaeological evidence lends to the fact that the grounds were one of the first sites of Spanish contact with the New World.
Bonnet House Museum & Gardens
There are five distinct ecosystems are present on the lush subtropical grounds. These include the Atlantic Ocean beach and primary dune, a freshwater slough, the secondary dune which includes the house site, mangrove wetlands, and maritime forest. The grounds also are home to a Desert Garden featuring arid plantings, a hibiscus garden, and the main courtyard, which is planted with tropical vegetation. Because Evelyn Bartlett was a passionate orchid collector, the estate’s Orchid Display House includes various blooming examples which are regularly rotated.
Many migratory birds make Bonnet House their home, as well as year-round birds indigenous to Florida wetland and coastal areas. On occasion, manatees seek shelter in the estate’s Boathouse Canal; and monkeys can be spotted on the grounds.
The yearlong 100th Anniversary celebration includes a variety of events, programs, workshops, tours and classes including watercolor, calligraphy and drawing workshops among other activities that capture the spirit and history of this unique property.
The marquee event takes place on Saturday, April 25, 2020 ― the Centennial Soirée presented by The Haller Foundation, which will include live art, performances, unique photo moments, cocktails, dinner and more at the Bonnet House Estate.
Bonnet House is located at 900 North Birch Road, Fort Lauderdale, FL 33304 and is open for tours Tuesday–Sunday from 9 a.m.–4 p.m. For more information, visit www.bonnethouse.org.
Architect Paul Rudolph’s Walker Guest House Replica on View During Palm Springs Modernism Week
Walker Guest House Replica, Location: Sarasota FL, Architect: Paul Rudolph
A nearly exact, partially furnished, demountable replica of the Walker Guest House will be sold in situ in Palm Springs, California in conjunction with Palm Springs Modernism Week in Heritage Auctions’ Online Design Auction, closing Feb. 25.
The Sarasota Architectural Foundation (SAF) commissioned this example of Paul Rudolph’s Walker Guest House (also known as “Cannonball House”) in response to the destruction of several structures designed by the architect.
Walker Guest House Replica, Location: Sarasota FL, Architect: Paul Rudolph
Originally built in 1952 in Sanibel, Florida, the present example was constructed from the original Rudolph plans, and initially installed on the grounds of The John & Mable Ringling Museum of Art where it was open for tours from 2015 to 2017. Countless visitors have toured the interior and exterior of the 576-square-foot house to learn about Rudolph and discover the principles of the Sarasota School of Architecture movement. The structure was thoughtfully constructed with the intention to be portable, and in 2018, it was reinstalled in Palm Springs, where it was a feature of “Modernism Week,” the city’s biannual festival celebrating mid-century modern architecture and design.
“The SAF, whose mission is to educate about, advocate for and celebrate Sarasota’s mid-century modern heritage, undertook this project as an educational initiative,” SAF Chairman Dr. Christopher Wilson, Ph.D., said. “Recognizing that a majority of Sarasota School structures are private residences not normally accessible to the public, the SAF wanted to expose the forward-thinking principles of the ‘Sarasota School’ to a wider audience by constructing and exhibiting this replica.”
The Walker Guest house was Rudolph’s first design executed independently, and is considered among his most significant projects. Rudolph built numerous other influential residential buildings in the Sarasota, Florida region, including his so-called Umbrella House (1953) and Cocoon House (1950), designed with Ralph Twitchell. In 1997, Rudolph donated much of his archive to the Library of Congress, which helped establish the Library’s Center for Architecture, Design, and Engineering. By ensuring that his work was publicly accessible, he acted to see that his work could be preserved even if the original structures were not.”
The Design Tourist aka Karen LeBlanc in the Wynwood District, Miami
During the week of Art Basel Miami Beach, the city is electric with creative energy. All around the Wynwood district, street artists are at work painting buildings with new murals for Wynwood Mural Fest.
Street artists drawing the attention of TV cameras as they paint fresh murals in the Wynwood District of Miami for Mural Fest.
Wynwood Walls is like a street art museum, free and open to anyone who wants to walk around and admire the murals. The concept began as a vision for outdoor art space by developer Tony Goldman, founder of Goldman Properties.
Street artist painting a fresh mural at The Wynwood Walls
His concept started with six painted buildings that he commissioned artists to paint in the area which eventually became the core.
Mural at the Wynwood Walls in Miami
Over the next decade, the painted walls proliferated. Each year during Art Basel Miami Beach, new murals are unveiled creating a destination of urban art.
The Design Tourist videographer filming a street artist painting a fresh mural for mural fest in the Wynwood District, Miami
I met up with Zack Lawrence, production manager for Wynwood Mural Festival on opening day as vendors were setting up tents and food trucks in anticipation of huge crowds later that evening.
Street artists painting a new mural at the entrance to mural fest in the Wynwood District, Miami
A team of street artists were at work painting a mural at the entrance to the festival grounds, one of many fresh murals coloring the buildings of the Wynwood District.
The Wynwood District in Miami
“The Wynwood arts district is an area of Miami that was founded originally by artists. They are bringing this graffiti and mirrorless culture into the city in a major way. They’ve purchased a lot of the properties in the area. They own a lot of the warehouses and they collaborate with a lot of the businesses around this area to create this ethos that exists in this neighborhood. It attracts people from all around the world every single year to paint large murals. A lot of these people are world-famous painters and muralists,” Lawerence says.
Mural in the Wynwood District in Miami
“We’re here for the art and we’re trying to plant a flag in the neighborhood that really makes us a mainstay. We want to continue to put this event on, as well as other events to represent the entire collective of artists and businesses in the neighborhood,” Lawerence says.
Mural in the Wynwood District in Miami
During Art Basel Miami, some of the biggest names in graffiti and street art come to the Wynwood District to paint walls that are divided into zones curated by art experts. I met up with one of the curators, Gleason LeRoy, who selected street artists to paint walls in his zones. “So, the zones are actually different collectives that actually have been painting their own zones every year. We came together as one for the Mural Fest to kind of take back the neighborhood from everybody else. It’s not about competing with each other, but to unify and really give it that artists feel,” LeRoy says.
Mural in the Wynwood District in Miami
Art Basel Miami, as the anchor of Miami Art Week, serves as the marketing season for street artists who travel from around the world to paint murals for Mural Fest and capture the attention of more than 200,000 visitors filling the streets.
The Wynwood Walls in Miami
“A lot of these people come with different stylistic choices in different ways that they communicate their message of art,” Lawerence adds.
The Wynwood District in Miami
Art Basel Miami brings together art in all its iterations and the Wynwood District offers that unique opportunity to experience creativity outside the bounds of traditional art fairs and galleries. It’s an outdoor art museum that is free and always open to the public.
After Art Basel Miami Beach is Over, Art Installations Remain as a Testament to the City’s Creative Soul
“Pieces of Me” Sunreef Yachts by artist Alexander Mijares commissioned for Miami Art Week
Art is everywhere during Miami Art Week as dozens of installations, pop-ups, parties and galleries compete for attention alongside more than two dozen satellite art fairs anchored around Art Basel Miami. During the first week of December, more than 80,000 collectors, curators, and art aficionados converge in Miami for this A-list event that also draws celebrities looking to see and be seen. Smart marketers try to capture the attention of influencers, celebrities and other high-profile personalities with VIP events and installations that capitalize on this creative energy.
“Pieces of Me” Sunreef Yachts by artist Alexander Mijares commissioned for Miami Art Week
Sunreef Yachts collaborated with Miami Based Artist Alexander Mijares to wrap the hull of the 70 Sunreef Power catamaran in an artwork titled, “Pieces of Me.” Sunreef Yachts designs and manufactures of luxury sailing and power multihulls.
Miami-born artist Alexander Mijares
The company showcased its art yacht at the Fontainebleau Marina. Miami-born artist Alexander Mijares’ signature style is defined by culturally vibrant works from a colorful perspective. The self-taught artist finds inspiration in the dynamic energy of both Miami and his Cuban and Spanish roots.
Les Lalanne at The Raleigh Gardens Courtesy SHVO © Douglas Friedman
At the Raleigh Gardens staged the largest-ever public outdoor exhibition of works by the late French artist duo, Claude Lalanne and François-Xavier Lalanne. Architect Peter Marino designed the new beachfront tropical garden along with noted Miami landscape designer Raymond Jungles.
The Raleigh Gardens is part of a $200 million master plan for The Raleigh hotel and span throughout three properties: The Raleigh, South Seas and Richmond. The Garden is free and open to the public through late February with 32 statues on display in more than 25,000 square feet of garden space.
Les Lalanne at The Raleigh Gardens Courtesy SHVO © Douglas Friedman
Real estate developer and investor Michael Shvo and his partners commissioned the works of the late Claude Lalanne (1924-2019) and François-Xavier Lalanne (1927-2008), the artistic duo known together as Les Lalanne. The opening of the Raleigh Gardens marks the latest step in the restoration and renewal of the iconic Raleigh Hotel, along with adjacent properties, The Richmond and South Seas, located on Miami Beach’s famed Collins Avenue.
Pink Beasts Art Installation on view at Design Miami. The Pink Beasts and pink hammocks can be seen around the Miami Design District.
Throughout The Miami Design District, pink sisal sloths hang from trees as a public art installation, Pink Beasts, the creation of London-based Mexican designer Fernando Laposse. The Miami Design District commissioned Pink Beasts, an art installation that explores materials and techniques native to Mexico. Laposse collaborated with textile designer Angela Damman and local artisans in Sahcabá, Yucatán.
Miami Art Week 2019 Meet the Artist: Experience the Art Series
The Artist: Ralph Ziman
The Idea: Humanitarian Art That Reconciles South’s Africa’s Apartheid Past
The Art: The Casspir Project
The Design Tourist, aka Karen LeBlanc, standing in front of an 11-ton Casspir military vehicle covered in glass beads by South African artisans at PULSE Art Fair during Miami Art Week.
An overarching theme to the creative works that intrigued me during Miami Art Week was about a hyperawareness of social issues. Artwork with a confessional quality that offered insight into the artist’s personal politics resonated deeply.
At the entrance to PULSE Art Fair, I encountered an armored all-terrain vehicle covered in colorful beads by South African artist Ralph Ziman. It was both disturbing and oddly beautiful—an emotionally jarring juxtaposition. The beaded tank is called a Casspir, used by the South African Police and Defense Force against civilians during apartheid. Ziman named it SPOEK 1 and it weighs 11-tons and is covered in 70 million glass beads, arrayed in panels of traditional patterns by African artisans from Zimbabwe and the Mpumalanga province of South Africa, including women of the Ndebele tribe, known for their craftsmanship.
SPOEK 1 and The Casspir Project was presented by The Rendon Gallery at Miami Art Week, December 5-8, 2019 as part of the special projects section at PULSE Art Fair.
SPOEK 1 anchors Ziman’s traveling series, The Casspir Project, presented by The Rendon Gallery. Ralph Ziman’s multidisciplinary fine art exhibition encompasses installations, photography, oral history, and documentary film, examining the human rights issues of apartheid, the over-militarization of police, and state violence.
His art is about making amends with South Africa’s apartheid history by reframing emblems of violence and oppression into art objects. “In Africa, there’s a belief that when you touch something, you take away its power. By covering the Casspir with beads, it became non-threatening. People could come up, put their hands on the tank and by doing so, take away its power to oppress,” Ziman explains.
The Casspir has been transformed into a work of art for SPOEK 1, its surfaces covered in 70 million, elaborate and brightly-colored glass beads, arrayed in panels of traditional patterns.
The name “Casspir,” is an anagram combining the name of the designer (the Council for Scientific and Industrial Research, CSIR) and the end-user (the South African Police, SAP). Ralph, working with African artists.
Glass beads cover AK-47s as part of The Casspir Project by South African Artist Ralph Ziman. His works were on view at PULSE Art Fair during Miami Art Week.
Ziman also embellishes weapons with colorful glass beads as social and geopolitical commentary. “We originally started with the AK 47 as a response to the arms trade coming into Africa. I was constantly seeing photographs in the press of Somali rebels and pirates. There were AK 47’s everywhere. I thought that it would be great to do this reversal of the arms trade where we make non-lethal, beautiful weapons in South Africa and ship them to the rest of the world. The root of the project is its humanitarian mission to support the families of South African artisans. With every work that sold, the proceeds would amount to a month of living expenses for an entire family,” Ziman says.
The Casspir Project by South African Artist Ralph Ziman also comprises installation, photography and film.
He employs 10 artisans full time working out of his studio in Johannesburg. He discovered these artists selling beads and wire sculptures to tourists on the streets of the city. “They were hustling to make a living. We wanted to create an environment where we could pay everybody a living wage and pay for their kids to go to school,” Ziman explains.
The Casspir was built during the apartheid as a vehicle for the South African police force to patrol and control neighborhoods. “When I left South Africa in the early eighties, it was the height of apartheid, policing involved a bunch of Casspirs with white cops sitting on top with automatic weapons. The Casspir was developed by like the white African military, so while it’s South African, it was very much a white invention,” Ziman remembers.
Photography that is part of The Casspir Project by South African Artist Ralph Ziman. This image shows two Casspirs covered in glass beads.
He bought the 1981 police Casspir from a scrap yard and rebuilt it to factory standards. It took more than 100 artisans three years to cover the tank in colorful beads. “This project is about owning up to our history of apartheid and the Casspir and transforming that,” Ziman adds.
Ralph Ziman was selected for the special project section of the 2019 edition of PULSE Art Fair where he will present SPOEK 1, an 11-ton decommissioned, apartheid-era Casspir vehicle that has been restored and reclaimed
The South African government decommissioned Casspirs after the apartheid leaving their hulls in scrap yards as a relic of their tumultuous past. The United States bought several to use during the Iraq war years, rebranded as the MRAP (Mine-Resistant Ambush Protected). After the war, these Casspirs were given free of charge to local United States police departments under the Pentagon’s 1033 Program.
“I felt an urgency to do this project because I started seeing these Casspir vehicles showing up on the streets of America, in the news, in protests such as Black Lives Matter. I wanted to tell our joint history with the Casspir,” Ziman says.
Ziman says The Casspir Project aims to subvert the narratives of violence and oppression by celebrating South Africa’s creativity and community.
The Casspir Project was presented by The Rendon Gallery at Miami Art Week
Ralph Ziman was born in 1963 in Johannesburg, South Africa, and currently lives and works in Los Angeles, California.
Learn more about Ralph Ziman’s work and highlights from Art Basel Miami Beach, in new episodes of The Design Tourist filmed during Miami Art Week, airing soon.
Design/Miami continues to be one of my favorite satellite shows during Miami Art Week for its immersive installations and focus on design and art objects. Located next door to Art Basel Miami Beach, the anchoring event of Miami Art Week, Design Miami/ held its 15th edition with 33 galleries and 14 Curio presentations from 13 countries. The design show is a refreshing break from the fair fatigue of white-walled booths. Instead, you’ll find works presented in conceptual spaces.
Todd Merrill Studio is an exhibition-based program representing an international group of established and emerging contemporary artists, each sharing an underlying drive to push the materials that comprise their works to their absolute aesthetic limits. Their dynamic, unique, and frequently groundbreaking pieces stand at the forefront of today’s highly coveted collectible art and design.
As a marketplace for collectible design, Design Miami/ invites international design galleries to present curated exhibitions of museum-quality furniture, lighting and objets d’art dating from advent of Modernism (circa 1900) to the present day.
Friedman Benda’s solo installation by acclaimed multidisciplinary artist Daniel Arsham breaks away from the traditional constraints of a fair to transform the space into part domestic setting and part kunstkammer. Arsham developed and realized a fictionalized environment that is in dialogue with his home’s modernist architect, Norman Jaffe.
In my opinion, the show’s standout installation comes from Friedman Benda, a living space framed by glowing walls and furnished with pieces by artist Daniel Arsham.
Daniel Arsham’s Objects for Living presented by Friedman Bena, New York in a room installation with glowing walls.
The immersive installation breaks away from the traditional art fair constraints to transform the space into an imagined domestic setting.
Sofa by artist Daniel Arsham on view at Design Miami/
The project began when Arsham developed a collection of objects in dialogue with his Long Island home and expanded it into a fictionalized environment. In the first hours of the fair, Friedman Benda sold its entire presentation by artist Daniel Arsham.
FENDI presents Roman Molds by Kueng Caputo
Another standout conceptual space was Roman Molds presented by FENDI, a collection from Zurich-based design studio Kueng Caputo. The conceptual space features ten architectural works crafted from Fendi’s soft leather into a structural material, giving it solidity and strength. The designers tried to push the material to look and feel different than usual expectations of leather by molding and forming it into seemingly weight-bearing materiality.
FENDI presents Roman Molds by Kueng Caputo
Louis Vuitton presented Objets Nomades, a collection of limited-edition, collectible furniture in yet another gallery booth inviting visitors to experience the pieces in the context of a living room.
Louis Vuitton presented Objets Nomades
This ongoing series of limited-edition, collectible furniture is imagined by some of the most creative designers of our times.
Louis Vuitton presented Objets Nomades
The show’s entrance exhibit encapsulates the overarching theme for the entire event: the creative synergy between contemporary design, traditional craft and sustainability.
The Design Tourist, aka Karen LeBlanc, and show co-producer Chris Fletcher filming Pink Beasts at Design Miami/ for new episodes of The Design Tourist airing soon
I’m greeted by large pink sloths hang from the ceiling, Pink Beasts, an art installation by London-based Mexican designer Fernando Laposse. Several of his Pink Beasts were on view at Design Miami/ while many more were scattered around The Miami Design District as part of a 2019 Design Commission.
Pink Beasts, an art installation by London-based Mexican designer Fernando Laposse. The pink landscape of Pink Beasts has been achieved by dying the sisal fibers with the natural dye made from cochineals, a tiny parasitic insect that is native to central Mexico and grows on the Opuntia cactus, commonly known as the prickly pear. Cochineals produce the world’s brightest natural red dye and were used by the Aztecs to color everything from textiles to buildings. The cochineals used in Pink Beasts are from an organic farm in the mountains of Oaxaca and the dyed sisal fibers have been harvested from agave plants in the Yucatán. The entire installation was handmade by a community of Mayan weavers of Sahcabá.
With Pink Beasts, Fernando explores materials and techniques native to Mexico, collaborating with likeminded textile designer Angela Damman as well as local artisans in Sahcabá, Yucatán. The artisans worked together to create creatures crafted of thousands of long, pink sisal tassels. Through the Design District, these hairy pink slots are suspended through the trees and arches. Sculptural hammocks also hang between palm trees, created in collaboration with Damman, featuring long, unbraided sisal manes, updating an otherwise traditional Mayan design.
“The Pink Beasts Project also empowered a community of women in the Yucatan of Mexico to actually make wages off of this. It took over 70 people to make this project become a reality. It’s also about empowering the artisans, ” says Luis Concepcion, who was hosting visitors at the exhibit on behalf of the artist.
By interacting with Pink Beasts at Design Miami/ and in the Miami Design District, visitors are reminded that contemporary design and traditional craft and techniques are not mutually exclusive—there are sustainable and organic ways to produce contemporary design.
The Design Tourist, aka Karen LeBlanc with the Balenciaga Sofa by Harry Nuriev in collaboration with Balenciaga and Crosby Studios. The companies and designers teamed up to spread the message of sustainability through collectible furniture made from unused and damaged Balenciaga clothing.
Balenciaga and Crosby Studios team up to spread the message of sustainability through collectible furniture made from unused and damaged Balenciaga clothing. The Balenciaga Sofa by Harry Nuriev in collaboration with Balenciaga draws inspiration from an overstuffed recliner and is made from unsellable clothing and off-cuts from the Balenciaga warehouse. Nuriev is the founder of Crosby Studios. A booth spokesperson tells me Nuriev was very calculated in the placement of each article of clothing in the sofa stuffing.
For Design Miami/ 2019 (December 3-8), Balenciaga has collaborated with artist, architect, and furniture designer Harry Nuriev to advocate for environmental accountability by creating a functional artwork using discarded Balenciaga clothing.
“He had a very thoughtful artistic approach to using the clothing as if drawing or painting to give the sofa a patchwork effect. The sofa is very eco-friendly and sustainable. The cushion casing is made of a disposable polyethylene rather than vinyl or bad plastic,” she explains.
The Balenciaga sofa is a proof of concept communicating ideals about sustainability and consumerism through art.
The beauty of botany is the big idea captured in the resin furniture of artist Marcin Rusak.
Sarah Myerscough Gallery presents White Perma by Marcin Rusak The multidisciplinary artist Marcin Rusak continues to explore the beauty of botanical arrangements, this time bound in off-white resin in the latest variation of his Perma furniture collection.
Rusak’s White Perma collection is represented by Sarah Myerscough Gallery. To create his Perma furniture collection, Rusak bounds dried flowers in off-white resin in and slices the material lengthwise to reveal petals, stems, and buds. Their anatomical intricacies on view appear like veins in marble or cavities in fossilized stone.
Marcin Rusak’s sculptural furniture pieces of flowers in white resin
“The pieces have a lovely narrative because Mark comes from a family of flower growers. His grandfather ran a flower business so he grew up around these wonderful greenhouses. I think his art evokes a feeling of decay or melancholy,” says Freya McLeavy, Sarah Myerscough Gallery. Each piece is a sculptural work as well, playing with the idea of form and function.
Design finds that caught my eye and captured my imagination at Design Miami/ include a collection of sculptural chairs by Functional Art Gallery.
Functional Art Gallery’s stand will reinterpret the Abstract Gallery from Peggy Guggenheim’s groundbreaking 1942–47 gallery Art of This Century, placing contemporary artists in conversation with the historical setting.
The Berlin-based gallery was established by Benoît Wolfrom and Javier Peres in 2018 to promote young contemporary designers to an international audience.
The gallery’s mission is to help shape the discussion between art and design and to further increase the presence of cutting-edge design within the larger art world.
Functional Art Gallery works with artists and designers who push the line between aesthetics and purpose, form and function, perception and intent.
The Nalgona chair by Chris Wolston presented by The Future Perfect, made me smile for its humorous take on the human form expertly designed as functional furniture. The woven chair is crafted of 100% Colombian Mimbre (Wicker) harvested in the Colombian Amazon.
The Nalgona chair by Chris Wolston presented by The Future Perfect
Wolston says the human form of his chair riffs on the iconic shape of the plastic Remax Chair, ubiquitous through Colombia, and the playful humanoid quality found in pre-Columbian ceramics.
Nalgona chairs/ Chris Wolston, 2019/ Colombian mimbre (wicker) and steel/ Courtesy of The Future Perfect
Each year, Design Miami/ commissions several art installations tied to its curatorial theme. This year’s theme was “Water” an extension of its on-going focus on the earth’s elements.
The art installation Roots called attention to “alarming changes in nature and our environment” including disappearing forests and wildlife, polluted air and oceans, rising sea levels are rising, and an increase in extreme weather phenomena. Delta Air Lines and the Sacred Space Miami presented Roots by Atelier Marko Brajovic, curated by Ximena Caminos and produced by Alberto Latorre. The idea behind the art is to stimulate cultural and artistic responses to environmental change.
The Roots pavilion is a self-supporting aluminum branching system wrapped with fine custom-made ropes and was designed by a parametric software mimicking the natural growth of a mangrove rooting system. In the middle of the pavilion, a large deck is used as a collective space for ceremonies and for three traditional Amazonian hammocks from which visitors can experience the immersive documentary SACRED COCA.
For more on the artist and highlights from Design Miami/, stay tuned for new episodes of The Design Tourist filmed during Miami Art Week.
Miami Art Week 2019 Meet the Artist: Experience the Art Series
The Artist: Michael Seri
The Idea: Social Commentary on Our Addiction to Smart Devices and Social Media
The Art: iPorn Dress
Miami Art Week blurs the lines between art, design and fashion for new creative expressions that start conversations, precisely the point of provocative art. Perhaps nowhere was it more evident than in the works of artist Michael Seri and his iPorn dress on view at Art Basel Miami Beach that raises questions about our addiction to technology and social media. Michael designed and fabricated the art installation out of clear plastic embellished with broken iPhone screens and Sim cards with iPorn written in LED lights across the chest. I found Michael in an aisle at Art Basel where he was drawing a crowd with America’s Next Top Model contestant Keenyah Hill who was posing for pictures in the iPorn dress. In this marquee fair known for its blue-chip and high brow art, Michael Seri’s iPorn dress was a refreshing dose of originality and creative edge. I asked him about the big idea behind his art.
Artist Michael Seri and America’s Next Top Model Cycle 4 Keenyah Hill and The Design Tourist, aka Karen LeBlanc at Art Basel Miami
“Artists hold a mirror up to society. I’m commenting on what I see around me. This dress is not about pornography at all. It’s about being addicted to our iPhone, Michael says. He wants the iPorn dress to be a conversation starter about how we are addicted to social media and manipulate it for our own self-serving purposes. The shattered iPhone screens that embellish the dress are emblematic of our self-absorbed culture.
“Society is too wrapped up in social media and this need to become famous. People are willing to do anything, no matter how cheesy it is, to sell their soul for the attention, the likes, the followers. That not art. It’s not creative,” Michael says. His gallery, Detritus Designs LLC, based in Brooklyn (Dumbo), New York features idiosyncratic objects that reflect his life experiences and Dada philosophy merging art, design, and fashion in an ironic platform that is both vernacular and open to interpretation.
He deconstructs and re-interprets found objects to represent the cycle of death and re-birth. His art reveals the history of the original object yet places it in a cultural context that is both vernacular and 21st century. “My art creates a distinct but unresolved dialogue that is ironic and open to interpretation,” Michael says.
Art that goes beyond an aesthetic appeal to make a statement, provoke a thought or pose a question is what captures my imagination and challenges my intellect. It’s that type of art that I’m most drawn to at a time when I believe introspection is urgent and necessary. Art forces the question, the thought, the self-examination. Michael’s iPorn dress is both social commentary and ironically Instagrammable porn, drawing countless selfies and smart device videos at Art Basel. At some point the crowds were so thick around the model, Michael commented that he might get thrown out of Art Basel for creating such a disruption. But then again, isn’t that a fundamental purpose of art? Disruption—calling attention and creating a buzz to challenge the status quo.
For more on the artist and highlights from Art Basel Miami Beach, stay tuned for new episodes of The Design Tourist filmed during Miami Art Week.
Miami Art Week 2019 Meet the Artist: Experience the Art Series
The Artist: Andrea Mancuso
The Idea: Stimulate Curiosity by Juxtaposing the Familiar with the Unexpected
The Art: Metamorphosis
In my Meet the Artist: Experience the Art Series from my visit to Miami Art Week, I introduce you to the work of Italian Designer Andrea Mancuso.
The Design Tourist, aka Karen LeBlanc, and the artist Andrea Mancuso who created the art installation Metamorphosis at Design/Miami
One of my favorite shows during Miami Art Week is Design/Miami for its immersive experiences, booths that are each a mise-en-scène, placing art objects and furniture into context. Design/Miami is the only satellite show that is laser-focused on design. There, you will find art, sculpture and themed environments such as the immersive scenography, Metamorphosis presented by Perrier-Jouët.
Metamorphosis presented by Perrier-Jouët and designed by Andrea Mancuso on view at Design/Miami
I’ve never seen anything like it—part sculpture, part art installation. The room is covered with ceramic flower blooms painted in the golden tones of the French champagne house’s vineyards. Milan-based Italian designer Andrea Mancuso created the art installation and tells me that I’m actually looking at 11,000 mounted ceramic pieces evoking the concave shape of the champagne bottles he saw maturing in the cellars of Perrier-Jouët.
Artist Andrea Mancuso, co-founder of the Analogia Project, working on his art installation Metamorphosis for Design/Miami at the Alessio Sarri Ceramic workshop.
“So of course, Champagne ages in bottles instead of barrels and they’re stacked on top of each other in the cellars, creating a beautiful pattern. I use that pattern making irregular shapes and I use the color palette of the vineyards during the harvest,” says Mancuso. He is the co-founder of the Analogia Project, a multidisciplinary practice that uses design as a means to distort reality and to provoke emotional connections with the viewer.
“I used ceramic for the possibilities of colors that I could achieve here. There are 11,000 pieces of ceramics in 15 different shades,” Mancuso says.
concave ceramic circles that mimic the bottoms of champagne bottles readied to be painted and installed in a landscape that evokes the Maison Perrier-Jouët vineyards at harvest time.
Metamorphosis is Maison Perrier-Jouët’s eighth collaboration with the fair and draws inspiration from the Art Nouveau movement’s unconventional observations of nature. “Loyal to the ethos of Art Nouveau, Mancuso’s work for the House unites traditional craftsmanship with modern technology and is infused with Maison Perrier-Jouët’s vision of reinvented nature”, explains Axelle de Buffévent, Style Director at Maison Perrier-Jouët.
Metamorphosis, interprets the Art Nouveau heritage of the Maison Perrier-Jouët merging art, history and design.
Mancuso created the space to evokes the Japanese concept of Engawa -a similar concept to a sunroom – that serves as a communal gathering space. His aim for all who entered the art installation was to stimulate curiosity and interaction by intercepting the familiar with the unexpected.
Andrea Mancuso designed a collection of champagne glasses created with the Berengo Foundation in Murano – each inspired by the six characteristic Cuvée’s of Maison Perrier-Jouët and showcased at Design Miami/.
Based on conversations with Maison Perrier-Jouët Cellar Master Hervé Deschamps, Mancuso also designed six glasses, one for each cuvee that describes the notes and the characteristics of each champagne.
Andrea Mancuso designed a collection of champagne glasses created with the Berengo Foundation in Murano – each inspired by the six characteristic Cuvée’s of Maison Perrier-Jouët and showcased at Design Miami/.
The glasses were crafted by Murano-based glassblowers Fondazione Berengo using the demanding practice of lost-wax casting, an ancient technique of Art Nouveau artists. The same meticulous method was used for the champagne bowl that recalls the iconic anemone flower designed for the House in 1902 by Emile Gallé, a Master of Art Nouveau.
Italian ceramicists Alessio Sarri and Nuevoforme helped create the installation of glasses displayed in six alcoves on stands made using lost-wax casting.
The collection of glasses is displayed across six alcoves, presented on stands made using lost-wax casting. Italian ceramicists Alessio Sarri and Nuevoforme also worked on the alcove display and glasses.
“The Perrier-Jouët non-vintage cuvees are captured with the unbridled growth of blooming nature, with roots and leaves climbing up the stem to embrace the bowl of the glass. Whereas developed nature is interpreted with elegant, structured lines to evoke the Perrier-Jouët Belle Epoque cuvees,” observes Hervé Deschamps.
Italian designer Andrea Mancuso, of Analogia Project, created Metamorphosis in the spirit of Art Nouveau. Mancuso’s work for the House unites traditional craftsmanship with modern technology.
Metamorphosis is one of several collaborations with designers and design institutions featured at Design/Miami, a global forum bringing together collectors, gallerists, designers, curators, and critics. The show features the world’s top galleries presenting museum-quality exhibitions of the twentieth and twenty-first century furniture, lighting, and objets d’art. Design/Miami is held alongside the Art Basel fairs in Miami, Florida, each December and Basel, Switzerland, each June.
Learn more about the artists and art objects featured at Design/Miami in new episodes of The Design Tourist filmed at Miami Art Week.
Miami Art Week 2019 Meet the Artist: Experience the Art Series
The Artist: Antonio Brasko
The Idea: The Acculturation of Graffiti, Street Art and Fashion
The Art: Brandalism
Artist Antonio Brasko with The Design Tourist, aka Karen LeBlanc, and videographer and show co-producer Chris Fletcher filming his Brandalism collection for a new episode of The Design Tourist show airing soon.
At the Spectrum Miami, I was drawn to the booth of artist Antonio Brasko and his collection Brandalism, a cheeky mashup of luxury labels and logos with low brow objects such as paint spray cans and boom boxes.
Chanel Boombox by Antonio Brasko, part of his Brandalism collection on view at Spectrum Miami.
Brasko is one of more than 500 leading contemporary artists who showcased their works during the five-day art show and his work stands out for its cultural statement. I asked him about his ideas behind Brandalism.
Supreme Louis Vuitton Paint Spray Cans by Antonio Brasko, part his of Brandalism collection on view at Spectrum Miami
“Brandalism started in 2006. I started using spray cans as the canvas for my work. The collection is inspired by a study about how these fashion brands have tapped into the world of graffiti and street art and they are reappropriated. This is my commentary on these brands. I’m showcasing a different perspective,” Brasko says.
Gucci Boxing Gloves by Antonio Brasko, part of his Brandalism Collection on view at Spectrum Miami
Brasko reintroduces the ideology of vandalism and fashion from an experimental perspective. His fusion of style incorporates spray paint, streetwear and luxury branding. “I want Brandalism to resonate with the culture right now. It’s kind of a mashup of what’s going on in culture, art and fashion and how those cultures collide. My work is a commentary on how street art and luxury brands have intersected so they are almost like one right now,” Brasko says.
Brandalism paint spray cans by Antonio Brasko on view at Spectrum Miami
Brasko started as a graffiti artist with a background in graphic design having produced creative for brands including Adidas, Jaguar, Land Rover, Nike, Intel, Paris Saint-Germain, Wu-Tang Clan, Reigning Champ and more. He started his Brandalism collection with his Spray Paint Art Series and works from his creative design studio in Portland, Oregon. Using classic Montana spray paint cans, Brasko covers each luxury brand logos that represent a bridge between the worlds of street art and luxury brands.
Gucci Boxing Gloves by Antonio Brasko, part of his Brandalism collection on view at Spectrum Miami
I asked him how he picks his luxury brands and objects to create his art. “A lot of the brands have crossover into the world of street art or graffiti. That’s the first criteria when selecting mediums to work with. The second criteria is the color palette. It’s also a study on color. I create a spectrum of colors that tells the story,” Brasko says.
Brandalism Collection on view at Spectrum Miami
Brandalism is conceptual art and it strikes me as a bit of pop psychology, an examination of our cultural obsessions with brand names and attachment to logos as an expression of self-worth. Brasko’s art is provocative because it draws your own thoughts and interpretations about the current cultural moment.
He interlaces emblematic brands and their signature colors with cans and other objects as the basic means of graffiti art conveying its vandalistic ideals and the freedom that it proclaims.
Learn more about the art of Antonio Brasko in new episodes of The Design Tourist filmed at Miami Art Week.
With dozens of art fairs and shows Miami Art Week competing for my attention, it’s impossible to attend and experience every art, fashion and entertainment event. Shows extend from Miami Beach, anchored around Art Basel Miami, the mothership of all art fairs, and spread throughout downtown Miami and Wynwood District. My strategy is to experience a cross-section of art fairs that represent everything from blue-chip art to urban art which brings me to Red Dot Miami and Spectrum Miami, held inside Mana Wynwood convention center, December 4—8, 2019.
The Design Tourist, aka Karen LeBlanc, at Spectrum Miami and Red Dot Miami, filming and reporting on innovative works and trends in the art world during Miami Art Week.
I attended the Opening Night Preview Party sponsored in association with Jadot and Bulleit Bourbon where I sipped on a , inspired by the iconic Bulleit Bourbon label and whiskey.
3D printed cocktail at the Bulleit 3D Printed Frontier bar
Nearby, I admired the debut of the Bulleit Art in a Bottle Collection.
Bulleit Frontier Whiskey partnered with Red Dot Miami and Spectrum Miami to create an art project of 12 original works of Bulleit Art in a Bottle
Bulleit Frontier Whiskey partnered with Red Dot Miami and Spectrum Miami to create an art project of 12 original works of Bulleit Art in a Bottle in collaboration with south Florida artists Jason Skeldon “SKEL” and Elidea. Both artists are known for their unique visions and use of multiple mediums to create something new.
Jason’s art depicts human-animal hybrids who are taking their vocation to new heights, such as mixologists, scientists, architects and tattoo artists. Each character is shown raising a glass of whiskey to toast achievements and their commitments to innovating in new and inspiring ways.
Jason and Elidea’s art pieces are visual representations of what the cultural frontier means to them. Elidea’s Bulleit Art in A Bottle pieces depict the Cuban influence in Miami’s culture.The Bulleit Art in A Bottle Collection is available now at Saatchi Art
What I like about Red Dot Miami and Spectrum Miami is their commitment to showcasing Florida artists.
An Italian native and Miami resident, Elidea with The Design Tourist, aka Karen LeBlanc filming her series The Design Tourist, along with videographer and co-producer Chris Fletcher at Spectrum Miami.
Artist Elidea lives in Miami and creates collages of mixed media working with gold and bronze leafing in layers with different papers and textures to create landscapes.
The bronze and gold leaf layered collages of artist Elidea, the 2018 Spectrum Art show winner and the 2019 Spectrum Miami collaborator with Bulleit Frontier Whiskey’s Bottle Art Exhibition.
Artist Doug Powell based in Winter Park, Florida, works with recycled computer keys to create 3D sculpture and art.
Artist Doug Powell created a sculpture Gube Rubik’s crafted of 8,200 computer keys from a keyboard at ArtBlend , Spectrum
Doug creates the illusion of three-dimensional form through the use and arrangement of recycled, or up cycled, computer keyboard keys.
Florida artist Doug Powell placed his piece “Route 66,” for $16,000 at Spectrum Miami
Florida artist Paul Columbus showcased his Phantom Faces and Collaborations with Jennifer Friedland, at the Spectrum’s ArtBlend. Gator Skull, “Florida Boys” was the show stopper at his booth. The piece is a real Florida Alligator skull harvested from the waters of the Ochlockonee River in Northwest Florida and a limited release collaboration between the artist Paul Columbus and his lifelong friend and outdoorsman Justin Rock. Both are Florida natives with a deep appreciation for native flora and fauna that define Florida landscape.
Gator Skull, “Florida Boys” by Paul Columbus and Justin Rock at Spectrum Miami. The alligator skull is painted and coated in epoxy resin.
Columbus also presented his Phantom Faces collection, paintings of surrealistic faces blended with cubism.
The overarching theme at both shows was about creating awareness and connecting with humanity. At Spectrum Miami, I ran into two strange-looking characters clad in rags roaming the show as social sculptures. They were wearing Ghillie Suits, camouflage garb traditionally worn by snipers outdoors to blend in with their surroundings.
The Ghillie Suits by an anonymous artist in Boston who creates these suits to call attention to the opioid addiction crisis. The Design Tourist aka Karen LeBlanc with two models wearing the Ghillie Suits at Spectrum Miami.
“The Ghillie suit disrupts the silhouette and changes the figure making it invisible,” says Colin Beatty of the craft guild Unaffiliate exhibiting the Ghillie Suit Project. The Boston-based artist who designed the 10 Ghillie Suits featured at the art fair wishes to remain anonymous but says his art is a response to the opioid epidemic. He crafted each suit from the articles of clothing from people who died from opioid addiction. “The artist took their wardrobe, shredded it and made camouflage suits of the people who died of addition to symbolize how they were hidden in plain sight. The artist is calling out the stigma attached to the disease of addiction. The Ghillie Suit is a work of art that serves as a catharsis and recovery.”
Artist Eduardo Cabrer with The Design Tourist, aka Karen LeBlanc filming her series The Design Tourist, along with videographer and co-producer Chris Fletcher at Red Dot Miami
The work of artist Eduardo Cabrer calls attention to the single-use plastics problem polluting our waterways and beaches. Cabrer suspends found trash and objects in colored resin creating thought-provoking works that raise questions about consumerism and our throw-away culture.
Artist Eduardo Carber’s resin encased Plasticid collection on view at Red Dot Miami
“It’s about creating an awareness of the excess of plastic that is out there. I find most of the objects that I use in my art on the beaches of Puerto Rico. I found the plastic bags in the streets of New York. It’s a contrast between the process of buying something and the process of disposing of something. It’s just creating that awareness of the eternity of plastic,” Eduardo says.
New Jersey-based artist Zevi G, shared a message of kindness with his interactive art installation featuring the character sculpture Gesture, part of an imaginary world called 456 Land.
The Design Tourist, aka Karen LeBlanc posing for a photo op with the bronze sculpture “Gesture” by artist Zevi G at Red Dot Miami Art Fair
The bronze, bow-tie clad sculpture held a rose and stood in front of a wall of roses. As I approached the booth for a photo op with Gesture, someone handed me a real long stem rose and encouraged me to “share kindness.” Part performance art, guests were invited to fill out by postcard with the address of someone they wish to send kindness and Zevi G’s staff will mail the rose to the recipient on the postcard.
Crazy Sugar Montage by artist M VILLASIERRA (Mario Villarroel)
Crazy Sugar by artist Mario Villarroel is a critical reflection of society, in this case, its addiction to junk food. The work is part of Villarroel’s The Second Life collection that seeks to give a new beginning to everyday objects, that lost their value due to their usage. His paintings are collages that he decorates with disruptive memes.
Spectrum Miami featured the works of more than 200 exhibiting galleries and artists from the Florida region, the U.S. and around the globe, informed by the 2019 curatorial theme [IGNITE]. Known for its urban and upscale works of art, the five-day show attracted more than 40,000 visitors and high-net-worth collectors who interact with the specially curated programming, while celebrating the fine art experience with music, entertainment and other special events.
Red Dot Miami, a curated gallery-only contemporary art fair, presented for its 14th year, saw the highly anticipated annual presentation of leading galleries and their artists, informed by [PASSION] as the curatorial theme for 2019. Red Dot Miami featured more than 60 galleries representing over 500 leading contemporary artists from primary and secondary markets throughout the world.
Learn more about the artists featured at Red Dot Miami and Spectrum Miami in new episodes of The Design Tourist filmed at Miami Art Week.
Miami Art Week 2019 Meet the Artist: Experience the Art Series
The Artist: Eduardo Cabrer
The Idea: Art that Calls Out Consumer Behavior
The Art: Plasticidad
Artist Eduardo Cabrer with The Design Tourist, aka Karen LeBlanc, and videographer and show co-producer Chris Fletcher filming his plastic trash art for a new episode of The Design Tourist show airing soon.
At Spectrum Miami, one of several art fairs held during Miami Art Week 2019, I was drawn to the work of Eduardo Cabrer who encases plastic trash and found objects in colored resin creating thought-provoking art that calls out consumer waste.
Plastic shopping bags that artist Eduardo found on the streets of New York City and suspended each one in resin as part of his series, Plasticidad, on view at Spectrum Miami
The collection is called Plasticidad and consists of debris and found objects suspended in resin, raising questions about the origin and purpose of each object.
Plastic cigarette lighters that artist Eduardo found as trash on the beach and suspended each one in resin as part of his series, Plasticidad on view at Spectrum Miami
Eduardo started making his resin-coated trash art after walking the beaches of his native Puerto Rico with his daughters to collect shells only to discover the beaches were covered in more trash than shells. “We started collecting plastic instead of shell shells and then I had the problem of figuring out what to do with all of this plastic to add value to it,” Eduardo says.
Plastic medicine bottles artist Eduardo Cabrer found and suspended in resin as part of his series, Plasticidad, on view at Spectrum Miami
I’m fascinated by the irony of creating a thing of beauty out of the ugliness of trash. I find Eduardo’s aesthetic haunting, as if his found objects are entombed as a shrine to the follies of humankind.
Fallen Angel by Eduardo Cabrer on view at Spectrum Miami
Middle artwork is “Dial O for Operator” by artist Eduardo Cabrer along with Fallen Angel on the lefthand side on view at Spectrum Miami.
“It’s about creating an awareness of the excess of plastic that is out there. It’s a contrast between the process of buying something and the process of disposing of something. My artwork is about creating that awareness of the eternity of plastic,” Eduardo says.
Trash that artist Eduardo Cabrer found and suspended in resin as part of his series, Plasticidad, on view at Spectrum Miami
Through his art, Eduardo hopes to create an awareness of issues caused by consumer behavior and call out our throwaway culture. “That is part of the challenge to create something that adds value out of something that has no monetary value.”
Spectrum Miami 2019, is an art fair known for its urban and upscale works of art. The show featured the works of more than 200 exhibiting galleries and artists from the Florida region, the U.S. and around the globe, informed by the 2019 curatorial theme Ignite.
Learn more about the art of Eduardo Cabrer in new episodes of The Design Tourist filmed at Miami Art Week.
Miami Art Week 2019 Meet the Artist: Experience the Art Series
The Artist: Ilan Neuwirth
The Idea: Spreading Joy by Illuminating the Beauty of Found Objects
The Art: Neon infused Pop Art
Miami pop artist Ilan Neuwirth and Karen LeBlanc, aka The Design Tourist. at Red Dot Miami during Miami Art Week.
At the Red Dot Miami Art Fair, the glowing, whimsical works of Miami based pop artist, Ilan Neuwirth caught my eye, piquing my curiosity. Ilan works with neon to playfully trace the silhouettes of objects, drawing the eye to key focal points that convey his sense of humor and ideas about life.
“Neon has been around since the 1930s and I think it’s a lost artform. Neon is a particle of stars and it enhances everything,” Ilan says. The artist conceptually plays with textures and neon often using found objects as the canvas.
The art objects and sculptures of Ilan Neuwirth showcased in his booth at Red Dot Miami 2019.
Neuwirth appreciates the beauty of found objects that he calls “simple, ordinary, common and immediately recognizable.” He uses a variety of techniques including powder coating or enhancing them with metal, fiberglass or epoxy to make his pop art out of those found objects. “My passion is finding unique objects. They can be antique, vintage, modern, repurposed … It doesn’t matter, because they are all so unique in their own way. Some of my objects found me, and some I found them …. Many of them are nostalgic and represent a slice from my life.”
Ilan Neuwirth’s pop art creations on exhibit at Red Dot Miami during Miami Art Week.
He taught himself how to bend glass to create his neon-infused art, often inspired by imagery from his home state of Florida. “Every piece has a story about my life. I love paddle boards and the ocean,” Ilan says. He comes from a background in water sports and decided to get serious about his neon art hobby over the past three years. Red Dot Miami marks the debut of Ilan Pop Art. The curated gallery-only contemporary art fair held during Miami Art Week inside Mana Wynwood convention center, presented works reflecting its 2019 curatorial theme: Passion.
The Sono Tree Root traced in neon lines by pop artist Ilan Neuwirth on view at Red Dot Miami. The Design Tourist aka Karen LeBlanc standing in front of it to show you the scale of the sculpture.
For me, the showstopper of Ilan’s art is a large, 200-year-old root traced in neon. The Root of Art is the winner of the 2019 Sculpture Award at Red Dot Miami and was an Instagram and selfie magnet. Red Dot Miami also featured Ilan Neuwirth Pop Art in the art fair’s 2019 Spotlight Program that showcases a select group of up and coming artists. Ilan won the 2019 Spotlight Award at Red Dot as well.
Propel Ourselves by Ilan Neuwirth
Another of my favorite pieces is the neon outlined bicycle, Propel Ourselves. Ilan highlighted in neon the parts of the bicycle that do the work: the wheels that move us, the pedals that connect us to the ground closer to the cities that we live in. The piece invokes the power of the bicycle to propel ourselves.
Sunflowers Scooter by Ilan Neuwirth
The Sunflowers Scooter conjures up the 1960s iconography, flowers and peace signs as a nod to the cultural moment when revolutions around the world were powered by love.
Neon Music Box by pop artist Ilan Neuwirth
Ilan Neuwirth was one of more than 500 leading contemporary artists from primary and secondary markets throughout the world who showcased their works during the five-day show.
Learn more about the pop art of Ilan Neuwirth in new episodes of The Design Tourist filmed at Miami Art Week.
This coming year, leave your dinner-and-a-movie nights in the past and instead try out some of these unique date night ideas for any season—you won’t regret it!
Leave your dinner-and-a-movie date night in the past, and start getting creative! So many couples get stuck in the trap of going on the same few dates throughout the year. That rotation isn’t just boring—it can also leave you and your partner feeling as though you’re losing passion. As the new year rolls around, try adding in some of these unique date night ideas for any season. Having a bigger list of fun things to do with your partner will spice up date night as well as your connection—check them out!
A lot of date ideas work no matter the season, and this is one of them. Taking a cooking class is always a fun way to spend some quality time with your partner. Better yet, you’ll also get to enjoy a homemade meal while you’re at it!
This great fall date night idea actually works year-round. An escape room is perfect for those stormy or snowy nights when you’d typically turn to a movie.
Sporting events are great ways to bring some joy and excitement to your relationship. Even if you aren’t big sports fans, try going to one anyway—the thrilling atmosphere makes it well worth it! Not to mention, there’s always some sort of sporting event going on all year long.
If you and your partner like to sip, then head to a local brewery or winery instead of your typical restaurant. A lot of these places will allow you to bring food in, and some even have their own kitchens or tasty food trucks nearby. Enjoy each other’s company while you sip on some tasty beverages.
We’ve been talking about how you should try to limit your dinner-and-a-movie date nights, but this idea is a little different. Pick a movie with a distinct theme to watch at home, then make dinner based around that theme. For example, if you’ve chosen Midnight in Paris, try making a French dish you’ve never tried before. It’s a relaxing and rejuvenating date night idea.
This is a very simple date idea, and it’s something you can easily pair with other ideas on this list. Bundle up for winter walks or stroll around the town in the summer—walks are great opportunities to reconnect and hear more about your partner’s day.
Whether you have a fireplace or an outdoor firepit, plan a night where you play games and sit by the fire. Nights like these tend to turn into nights of enthralling conversation and focused attention, so if you notice that you both seem a little disconnected, this may be the thing that syncs you back up again.
Finally, another idea that’s quite easy to accomplish no matter the time of year is volunteering—it’s is a fantastic way to spend time together. Choose a cause you’re both passionate about, and figure out a way to volunteer for it. Meaningful date nights like these will put a lot of issues you may be dealing with in perspective.
What to See and Do During the Holiday Season Across Central Florida
As a resident of metro-Orlando, I look forward to the holiday cheer expressed throughout the city’s distinctive neighborhoods, nearby resorts and theme parks. Thanksgiving Day traditionally kicks off the season’s festive events, all competing for my attention and monopolizing my weekends through New Year’s Day. I’m not complaining. I love every second of the holiday season in Central Florida, celebrated in all its glory from boat parades and theme park light shows to holiday home tours and ice sculptures. Here is my list of must-see Holiday Events in Metro Orlando starting with our family tradition, a visit to the annual ICE! Exhibit at Gaylord Palms.
ICE! at Gaylord Palms in Kissimmee, Florida
This year’s theme for ICE! is The Polar Express and the event runs November 25, 2019 – January 5, 2020. Tickets get you admission for a self-guided tour of colorful, life-sized ice sculptures and five two-story ice slides.
The Stetson Mansion in Deland, Florida
I also recommend a trip to Deland, about 20 minutes north of Orlando to tour the historic Stetson Mansion all decked out for the holidays. The Stetson Mansion Christmas Spectacular Tours operate 3-5 times daily Nov 15 to Jan 15 at 10:30, 1:30, 3:15, 5:00 and sometimes at 7:00
The Stetson Mansion decked out in Holiday Decor for its annual Christmas home tours in Deland, Florida
Owners Michael Solari and JT Thompson open their doors year-round to the privately owned/occupied historical landmark, built in 1886 for Florida’s first snowbird, iconic hatmaker John B. Stetson. JT is the sole event designer for all the Christmas decorations you will see. He begins decorating in mid-September in a free-form process.
The Festival of Trees at Orlando Museum of Art
The Orlando Festival of Trees is another favorite holiday happening and a great source of Christmas tree decorating ideas. The annual event is a fundraiser for the Orlando Museum of Art and takes place over ten days in mid-November.
The Festival of Trees at Orlando Museum of Art
In addition to the designer trees, area pastry chefs showcase their talents with designer gingerbread creations.
The gingerbread houses are also for sale to raise funds for the Orlando Museum of Art and a source of inspiration for your own holiday baking projects.
Designer Gingerbread Houses on display at The Festival of Trees at Orlando Museum of Art
A life-size gingerbread house is on display at The Grand Floridian, a resort on the property of Disney World. The gingerbread house is open to the public to view free of charge in the lobby. Throughout the season, The Grand Floridan hosts a variety of events centered around the giant gingerbread house.
Life-sized Gingerbread House in the lobby of the Grand Floridian, an annual event and attraction during the holidays at Walt Disney World Resort.
The Grand Floridan’s giant Christmas tree is also a fabulous photo opp while there.
Giant Christmas Tree in the lobby of the Grand Floridian, a great photo opp during the holidays at Walt Disney World Resort.
In south Orlando, the community of Lake Nona kicks off the holiday season with its second annual Oh What Fun! A Holiday Festival featuring a flurry of festive activities for the whole family.
Holiday Festivities in Lake Nona, Orlando Florida
From Friday, Nov. 29 to Sunday, Jan. 5, Lake Nona Town Center will transform into a true winter wonderland with one of Central Florida’s only outdoor, open-air skating rinks surrounded by Christmas trees, twinkly lights, a mailbox for letters to Santa and everything we love most about the holiday season.
Holiday Festivities in Lake Nona, Orlando Florida
Lake Nona’s Oh What Fun! A Holiday Festival will be open Thursdays through Fridays 4-10 p.m., Saturdays 11 a.m.-10 p.m. and Sundays 11 a.m.-9 p.m.
Holiday Festivities in Lake Nona, Orlando Florida
Each week is packed with activities including skating, classic holiday movies, jolly appearances from Santa Claus, strolling carolers, kid’s crafts and the occasional snow fall. Skate rentals begin at $10 per person. Meet Santa and get your holiday photos each Friday night from 6-9 p.m. Complimentary digital downloads will be available. Strolling carolers from the Merry Measures will lift your holiday spirits Thursday through Saturday evenings. On Sundays at noon, Boxi Park will host activities for kids including decorating gingerbread men and making their own snow globes and snowflakes.
Holiday Festivities in Lake Nona, Orlando Florida
Boxi Park will also be serving up classic holiday treats and festive food and drinks throughout the festival. Additional food and beverage options are available from Lake Nona Town Center restaurants including Chroma Modern Bar + Kitchen, Bosphorous Turkish Cuisine, and Park Pizza & Brewing Co. Complimentary parking for Oh What Fun! will be available in the five-story central parking structure. For more event information, please visit www.facebook.com/pg/learnlakenona/events/.
Images courtesy of Visit Jacksonville and Ryan Ketterman
In Jacksonville, Fla., a 2-hour drive from Orlando, check out the city’s various eclectic neighborhoods packed with small-town charm for nonstop Christmas cheer and holiday spirit. The waterfront destination’s temperate winter weather also allows visitors to enjoy a variety of holiday traditions–sans chill– that light up the St. Johns River and its Atlantic coastline locales. Here is a list of must-see holiday events.
Deck the Chairs, Images courtesy of Visit Jacksonville and Ryan Ketterman
Deck The Chairs, November 23 – January 1: An annual lighted sculptural exhibit using 40 iconic chairs of The American Red Cross Life Saving Corps, complete with an upgraded light show and a packed lineup of weekend holiday programs in Downtown Jacksonville Beach.
“The latest tile trends comprise the most nuanced and interesting design language we have ever had at our disposal. Tiles tell stories through the spaces we create for them. Ceramics this year are daring us to express ourselves and providing all the technical and aesthetic solutions to do so with panache,” says Fasan. Here are my top trend takeaways for Tile Style in 2019:
Simple and sleek steps aside for the more-is-more design language of Maximalism, expressed in tile with bold colors and contrasting patterns.
Maximalism brings a vibrancy to interior design that in recent years has been zombified with minimalism. Tile designs in clashing prints are expressed as graphic interruptions in contemporary living spaces without overpowering.
Maximalism, on the trend radar since 2018, gains traction as the leading design ethos with decadent textures, colorful tones and pattern clashes.
Self-expression in living spaces becomes playful with asymmetrical, randomized looks in the latest tile styles. Urban inspired designs such as graffiti also lighten up a living space. 
Popular cartoons illustrated on ceramic with Del Conca’s Felix the Cat and pop art inspired graphics take tremendous creative license to experiment with color, size and patterns to create one-of-a-kind surfacing for architects and designers. 
Some of these ever-changing patterns and compositions take on a random abandon with dynamic combinations that have rhythm and movement, organized vertically or horizontally.
The Tile Council of North America calls this trend “Geometry in Motion.” 
One example is Dash by Raw Color with its grid-like pattern, random ever-changing rectangular compositions that combine different shades and different lengths. 
Modern interpretations of Art Deco, the Roaring 20s and organic art nouveau styles are gaining traction in living spaces. Tile designs draw influences from all of the aspects of the era, from fashion to lighting, architecture to jazz and a bohemian spirit in literature, photography, and theatre.
Tile styles reference Cubism, organic floral textiles of the period and geometric Deco pottery motifs. One example is Art Deco by Vanessa Deleon collection with TileBar, a collaboration between the interior designer and TV Personality and the brand. The large-scale collection embodies Vanessa’s signature aesthetic.
At the Coverings show, blue made a strong showing in tile designs with blue hues layered on floors and walls.
Expect to see a lot of contrasting depth of tones layered in the room and more saturated hues.
Ceramic Wallpaper
Large porcelain slabs with minimal grout lines create the effect of wallpaper with the technical benefits of ceramic. 
These patterns are digitally printed on large ceramic surfaces that can be used as furnishing elements.
Dramatic Veins
Stone looks are making strong statements with dramatic veining amping up common varieties of stone including carrara, statuario, and travertine. “Popular aggressive stone looks include marble, granites, onyx and quartzite with dramatic veins and patterns,” says Fasan.
Dark marble looks with large swaths dominate this stone-inspired tile category according to Tile Council of North America. Also expect to see more tone on tone larger veins and intense contrast veining.
I saved the best for last. The following tile styles are my favorite picks at Coverings 2019. They rank at the top of my design radar for their fresh designs, fascinating textures and innovative technologies. My best in show pick is The Foundry Collection because it embodies all of the latest trends in tile: imperfectly perfect styling with its timeworn, weathered surfaces, strong use of blue, and mix of textured tile in random patterns. It really encompasses all that is happening at the forefront of design at the moment.
Also, I spotted several collections worth of show stopper status including this worn blue jean inspired tile with a texture that mimics the feel of denim.
My final show stopper pick is this modern interpretation of Terrazzo with geometric accents and large flecks. Stracciatella by Aparici embodies this updated take on terrazzo with its hexagons randomly dissected by geometric shapes in a backdrop of colorful flecks.
Eating for Beauty and Brains Drives Culinary Choices
At the 2019 Research Chefs Association (RCA) annual conference in Louisville, Kentucky while filming for Trending Today, I met with Newly Weds Foods, a company that originated with the first ice cream cake roll, invented in 1932 by the company’s founder before frozen food was a thing. It got me thinking about the evolution of ready-made and frozen foods.
Karen LeBlanc, host of Trending Today, interviewing Newly Weds Foods
I grew up on TV dinners, the Swanson brand of frozen turkey slabs paired with mashed potatoes first introduced in the 1950s to much fanfare.
1950s commercial for Swanson TV dinner
Since Swanson’s first TV dinners hit grocery stores in 1953, frozen and prepackaged foods have come a long way, today commanding culinary respect.
In my lifetime, the palettes and plates of consumers have evolved dramatically from the fried bologna sandwiches mom packed in my 1970s lunchbox to the fat-free mania of the 80s, the frozen yogurt craze of the 90s, the health food conscious 2000s and the organic food obsession of the 2010s.
Bourbon infused foods that honor Louisville’s legacy as expert bourbon distillers
Behind the scenes is an industry of food scientists and Culinologists responsible for this evolution, researching, experimenting and inventing new flavors, cooking methods and recipes that reflect our changing tastes and lifestyles.
Unicorn Crumbs by Newly Weds Foods, vibrantly colored predusts that utilize natural colors and flavors, introduced as the 2019 RCA conference
RCA invented and trademarked the concept of Culinology as a blending of culinary arts and the science of food. You can learn more about this in the latest episode of Trending Today airing soon on Fox Business.
Thoroughbred head sculpture made of soybean shortening by food artist Paul Joachim at the Qualisoy booth during the 2019 RCA conference.
At the RCA conference, I got a look at the future of food: the proclivities of the palette, pop culture and consumer lifestyles that drive what ends up on store shelves, our plates and on restaurant menus.
Here’s an insider’s look at the food trends for 2019:
Cuisine as a Cultural Experience:
The rise of the Foodie culture fused with authentic travel is stimulating appetites for regional cuisine. Today’s consumer wants food to deliver a cultural experience. Food is a form of self-expression and the source of social media bragging rights. Meals that are Instagrammable and socially shareable and convey a backstory are capturing the palettes and imaginations of many who seek adventure in their travel and food.
Plant-Based Foods:
At the 2019 RCA conference, Health Food Ingredients presented Suntava Purple Corn considered a “superfood” full of health-promoting anthocyanins, polyphenols and other antioxidants.
As humans, our omnivore tendencies are trending more towards plants than animals. Plant-based food and drinks, once the domain of vegans and vegetarians, has gone mainstream with consumer tastebuds as people seek more health benefits from their foods and have concerns about how their food is sourced. The plant protein movement is tied to a larger concept of sustainability and upcycled products as more companies turn to root-to-stem ingredients to combat food waste. One of the food stars of this plant-based movement is Casava, also known as yuca, a starchy tuberous root native to South America that is grain and gluten-free and high in carbohydrates.
Cannabis Infused Products:
In 2019, expect to see more Cannabis infused products and snacks in the consumer market as Cannabis continues its forward march into our lifestyles. Although many states have legalized the sales of hemp-derived Cannabidiol (CBD) products, Cannabis is still illegal at the federal level creating a kind of limbo for food product developers. Expect to see more Cannabis infused products such as cooking oils, coffees, teas chocolates baked goods and snacks as consumer awareness grows of its therapeutic potential.
Functional Foods:
In this cultural moment of wellness and self-care, consumers are eating for the mind and for digestion. The concept of Functional Foods is next-level healthy eating that goes beyond opting for fat-free and organic labels. Functional foods provide nutrients, proteins and potential health benefits. Examples of these functional foods include avocado oil, maca which is Peruvian ginseng, cold pressed juices, and activated charcoal.
Edible Insects:
Edible insects sampling at the Entosense booth during the 2019 RCA conference.
Today insects are a culinary delicacy rich in protein and texturally pleasing to the palette. At the RCA conference, Entosense offered samples of its edible insects including scorpions, worms and black ants. The company says many edible insects have more protein than beef or salmon and include all of the essential amino acids making them a great meat alternative.
Entosense edible insects included worms, scorpions, crickets, and black ants.
“Many insects have more iron than spinach and more calcium than milk and include substantial quantities of B12 and Omega 3. They are a prebiotic which are nutrients for probiotics,” says Bill Broadbent of Entosense. I tried black ants and found them to be crunchy and tangy. I get the appeal if you can get past the visuals.
Edible Beauty:
Food is becoming more personalized for health and beauty with ingredients including collagen, argan and almond oils and vitamin E. These beauty-boosting ingredients are infused into beverages and snacks to help hydrate skin, restore elasticity and reduce the visibility of wrinkles. For more, tune into a new episode of Trending Today airing on Fox Business on Saturdays at noon EST.
A rare look at pop icon David Bowie’s private collection of art and furniture by The Memphis Group on view at the Modernism Museum. Bowie was an avid collector of Memphis. After his death, his collection was auctioned off and for this exhibit, gathered together for one of the most comprehensive exhibitions of Memphis Group art and furniture. Learn about this movement in the 1980s that broke all the design rules to create its own unique, over-the-top aesthetic as The Design Tourist Karen LeBlanc takes you on a tour of works by Ettore Sottsass, the founder of the Memphis Group and his international group of artists and designers.
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Space Oddities: Bowie-Sottsass-Memphis at Modernism Museum
Must-See Museum Show:
The largest exhibition of Memphis objects ever presented in an American museum
Pictured in this vignette is the Lido Sofa designed in 1982 by Michele De Lucchi for Memphis and the Continental side table designed in 1984 by Michele De Lucchi for Memphis, crafted of laminated wood and plastic. Rug by Nathalie du Pasquier. Photo Credit: The Design Tourist. Both pieces were originally owned by David Bowie.
In the 1980s, a decade defined by big hair, loud clothes and MTV, artistic expression was just as over-the-top, attention-getting and bordering the absurd. During this time, a group of designers began making powerful postmodern statements almost cartoonish and comical in their aesthetic.
Pictured in this vignette are the Palace Chairs, 1983 by George Sowden and the Madras Table, 1986 by Nathalie Du Pasquier. Photo credit: The Design Tourist
These designers were known as The Memphis Group, brought together by Italian conceptual designer Ettore Sottsass.
Members of the Memphis Design Group including its founder Ettore Sottsass pictured with the gray mustache.
The Memphis Group emulated the design thinking of Sottsass who ignored the opinions of critics to create art and objects that flew in the face of 70s minimalism.
The Bel Air Chair designed in 1982 by Peter Shire and the Valentine typewriter designed in 1968 by Ettore Sottsass. This red typewriter is made of ABS plastic. Sottsass created the typewriter before his involvement in the Memphis Group. He designed it in collaboration with British designer Perry King for Olivetti it was groundbreaking for its pop sensibility and bright color. Photo credit: The Design Tourist
The late musician and pop icon David Bowie was a famous collector of Memphis works, many of which are on exhibit at the Modernism Museum in Mount Dora, Florida.
Karen LeBlanc aka The Design Tourist filming a new episode at The Modernism Museum featuring an exhibit of Memphis Design Group Art Objects, many from David Bowie’s private collection.
The largest exhibition of Memphis works in an American Museum, the exhibit includes over 75 works.
The Carlton Bookcase by Ettore Sottsass, is one of 20 pieces on exhibit that once belonged to David Bowie and are now in the hands of private collectors. The pieces are on loan for the exhibit at the Modernism Museum. Photo credit: The Design Tourist
Plaza 1981 by Michael Graves The Plaza vanity draws inspiration from Art Deco and old Hollywood. Although the vanity looks luxurious, its made of inexpensive materials—maple veneer over MDF (Medium Density Fiberboard) mirrored glass and paint. The small bulbs evoke a starry night over Manhattan. Photo credit: The Design Tourist
Sottsass was in his 60s when he founded The Memphis Group bringing together young architects and designers with a shared interest in experimenting with unconventional materials and breaking design rules of modernism and classical forms.
Super, 1981 by Martine Bedin. This light is made of fiberglass, lacquered metal, and rubber. It is one of the most recognizable of Memphis Designs. Designer Martine Bedin envisioned it as a pet on wheels. Photo credit: The Design Tourist
Their works were humorous, irreverent and often blended high and low culture. The style appropriated modern iconography, infusing it with space-age futurism, nostalgic nods and bold ornamentation.
Tawayara, 1981 by Masanori Umeda. The iconic boxing ring seating is made of lacquered wood. Photo credit: The Design Tourist
Tartar, 1985 by Ettore Sottsass. This desk is part of the Memphis Group collection and is made of laminate wood. Photo credit: The Design Tourist
Sottsass collaborators included Martine Bedin, Aldo Cibic, Michele De Lucchi, Matteo Thun and Marco Zanini, George Sowden and Nathalie du Pasquier.
Bertrand 1987, by Massimo losa-Ghini. This desk from the Memphis collection is made of wood and metal drawing inspiration from 1930s streamlined automotive design. The designer referred to this style as Bolidism from the Italian word Bolide a fast moving object. Photo credit: The Design Tourist
Together they designed furniture, lamps and ceramics that rebuked modernist doctrine and presented their works in an exhibition in 1981 that launched the movement.
Roma, 1986 by Marco Zanini. This seat from the Memphis Group collection is made of molded fiberglass cast as a single piece. Photo credit: The Design Tourist
The Memphis Group was both revered and reviled for its kitschy, colorful art objects that transcend the boundary between art and design.
Malabar, 1982 by Ettore Sottsass This shelf from the Memphis Group collection is made of plastic laminate wood and painted metal. Photo credit: The Design Tourist
The works resonated in a decade dominated by pop culture’s flamboyant icons—Madonna, Boy George, Micheal Jackson and questionable taste: think neon colored clothing, shoulder pads and purple eyeshadow.
Palm Springs, 1984 by Ettore Sottsass. This table from the Memphis Group collection is crafted of wood and laminate with boldly contrasting colors. Also pictured are First chairs, 1983 by Michele de Lucchi made of enameled wood and metal. Photo Credit: The Design Tourist.
The First chair designed in 1983 by Michele de Lucchi was introduced in the group’s third collection. It is the only Memphis design mass produced. Its ergonomic back and elbow rests have the appearance of orbiting planets. Photo credit: The Design Tourist
Max, 1987 by Ettore Sottsass. This shelf from the Memphis Group is made of lacquered wood and reconstituted veneer terrazzo tiles and plexiglass. Photo credit: The Design Tourist
The movement’s shortlived moment in the sun ended in 1985 when Sottsass left Memphis and the group disbanded in 1987.
Magnolia, 1985 Andrea Branzi. This ziggurat-shaped set of shelves is unusual among Memphis objects for its high tech and complex engineering. Photo credit: The Design Tourist
After Bowie’s death, Sotheby’s London sold 100 lots from his art collection in November, 2016.
David Bowie pictured sitting on his Palm Springs Table, part of his many Memphis art objects and furniture pieces he collected over this life.
Other famous collectors of the Memphis Group include fashion designer Karl Lagerfeld and Nicholas Ghesquiere, artistic director of Louis Vuitton.
Architect and industrial designer Michael Graves continued to evolve many of the Memphis Group ideals through his work as “The Father of Postmodernism Architecture.” Just days before his death in 2015, I had the privilege of visiting Michael Graves at his home in Princeton, New Jersey. Grave’s signature postmodern design language produced many iconic products over his lifetime and made Target the cool place to shop. I invite you to watch my talk with Michael as he shares thoughts on his legacy and the future of architecture and design.
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The Historic Stetson Mansion Opens Its Doors Showcasing Fresh Ideas for Holiday Decor
Built for Florida’s first snowbird, famed hat maker John B Stetson the opulent 3 story Victorian mansion was rescued from obscurity 10 years ago to become the top-rated landmark tourist attraction in all of Florida.
As a member of the press, I recently attended a private guided tour of the Stetson hat maker’s opulent 1886 mansion to preview the new luxurious designer displays created for the 8th annual Stetson Mansion “Christmas Spectacular!” Holiday Home Tour.
Owners Michael Solari and JT Thompson open their doors year-round to the privately owned/occupied historical landmark. JT is the sole event designer for all the Christmas decorations you will see. He begins decorating in mid-September in a free-form process. “For eight seasons I have conjured my childhood memories to remind me what made this time of year so special. Christmas carols are a huge part of the celebration of the birth of the Christ Child. This year, 10 themes around the mansion are inspired by 10 well-known carols,” JT explains. We begin our tour at the grand staircase.
Guests enter the foyer opening to the grand staircase set in front of three large stained glass windows, original to the home. This is where the breathtaking scenery begins to unfold. The grand staircase is as a nod to the Christmas carol, Deck the Halls with Boughs of Holly. “It’s my version of the traditional theme with a throwback to Christmas past and a strong evergreen and holly feel,” JT says.
Guests next enter the reception parlor, an homage to Angels We Have Heard on High where custom angel wings crafted by a local artist hang over the sofa and angels with lyres and other musical instruments congregate as an orchestra welcoming the Christ child.
In the piano alcove, a closer look reveals two electrical plugs that JT believes were installed by Thomas Edison and illuminated first Christmas tree with lights. “One of Mr. Edison’s assistants invented Christmas lights so we believe this is the first home in Florida that had Christmas lights.” The home also has several original Edison light fixtures and the original circuit box, complete with handwritten tags on each lever. “This was one of the first homes in the entire world to be designed and built with Edison electricity.”
The Christmas tree in the parlor is illuminated by electrical outlets installed by Thomas Edison. The current owners who live in this home still continue the old holiday tradition started by Stetson and Edison: lighting up the Christmas tree in the parlor with the same electric outlet Edison installed for that very first string of tree lights
Built in 1886 for Florida’s first snowbird, iconic hatmaker John B. Stetson, the ornate landmark on the National Historic Register has beautiful intricate wood carvings, 16 parquet floor patterns, and 10,000 panes of antique glass – all competing with this year’s elaborate designer decorations for the visitor’s attention.
Leaving the reception parlor, guests enter the mansion music room and library, where the Stetsons would gather with guests after dinner to socialize. The room is inspired by the carol, Oh Little Town of Bethlehem with nativities from around the world and a commissioned painting.
Guests can also marvel at the 16 different intricate original parquet floor patterns and 10,000 panes of antique window glass in the music room.
Peacocks use to roam the estate and JT used this fact to inspire his dining room decor theme, Pretty as a Peacock. “Mr. Stetson had peacocks roaming the property when he lived here and they would act as his guard birds, squawking to alert that visitors were on the property.”
The dining room draws focus to an antique birdcage and a peacock tail JT handmade that cascades onto the floor.
Another peacock perches on a tree limb on the dining room table with its tail sweeping down around and underneath the table. JT crafted each custom plate in the peacock tail from antique paper. A garland filled with peacock and crimson feathers lines the mantel.
Every holiday season, JT pays tribute to the military in one room decorated to honor our servicemen and women.
“The military tribute for the first time ever will be in the kitchen inspired by the carol Let There Be Peace on Earth with three Christmas trees,” JT says.
Guests leave the kitchen, heading to the second floor through the servants’ staircase stopping to admire a tribute to the Stetson Hat Company. JT designed a cowboy themed Christmas tree and decorated stair risers with icons of the American West.
As guests arrive at the top of the stair landing, a view inside a bathroom reveals grandma “had a run in with a reindeer” according to JT that was inspired by a well-known, humorous Christmas song.
Down the hallway, the room designated as The Elizabeth Suite reveals a winter wonderland inspired by the movie Edward Scissorhands. “It’s one of my favorite movies and the message is about acceptance. I decorated the room to feel like the inside of a winter snow globe.”
JT filled the room with winter woodland animals, a handcrafted willow tree covered in icicles and decorated the mantel with white pine cones.
The tour proceeds to The Gillen Suite that celebrates the three wise men, a nod to the Christmas carol, We Three Kings, with three handmade wise men crafted by an artist and former guest who bequeathed the decorations to the mansion.
The last stop on the tour is the Stetson Suite, decorated to the tune of I heard the Bells on Christmas Day, featuring Victorian Christmas bells including antique sleigh bells gifted to the mansion, church bells, school bells, and jingle bells.
Stetson Mansion is nominated as a contender for Best Holiday Historic Home Tour by USA TODAY for its 2018 10 Best Readers’ Choice travel awards. USA TODAY is giving voters four weeks to vote for the candidate of their choice at https://www.10best.com/awards/
Voting ends Monday, December 10th and the winners will be announced on December 21st.
The mansion attracts more than 10,000 visitors from around the world during the holiday season. Guided tours are offered at 10:30, 1:30 and 5 pm daily for $25 and reservations are required.
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The annual Festival of Trees at the Orlando Museum of Art is now open for a week-long showcase of designer Christmas trees and gingerbread houses just in time to inspire your holiday decor ideas. I went on opening day to check out this year’s collection of holiday decorations presented by Council of 101 as a fundraiser.
Designer Christmas Tree at Orlando Museum of Art event, Festival of Trees.
This year’s theme is “It’s the Most Wonderful Time of the Year,” featuring holiday vignettes, Christmas trees, wreaths and gingerbread houses all available for purchase.
Designer Christmas Tree at Orlando Museum of Art event, Festival of Trees.
Each year, Council 101 reaches out to area businesses and designers to donate a decorated Christmas tree to be sold at the event. The high profile philanthropy project is a great way for participants to show off their creative talents.
Designer Christmas Tree at Orlando Museum of Art event, Festival of Trees.
I attend every year to get fresh ideas to decorate my own tree and check out the latest holiday decorating trends.
Designer Gingerbread House at Orlando Museum of Art event, Festival of Trees.
For holiday baking and gingerbread house making, the event brings together pastry chefs to showcase original gingerbread house creations, also on sale.
Designer Gingerbread Art at Orlando Museum of Art event, Festival of Trees.
Designer Gingerbread Tree House at Orlando Museum of Art event, Festival of Trees.
Participants elevate gingerbread to a sculptural artform, constructing different interpretations of the traditional holiday edible house.
Designer Gingerbread Tree House at Orlando Museum of Art event, Festival of Trees.
Designer Gingerbread Art at Orlando Museum of Art event, Festival of Trees.
Designer Gingerbread Camper at Orlando Museum of Art event, Festival of Trees.
Designer Gingerbread Art at Orlando Museum of Art event, Festival of Trees.
The Council of 101 was founded in 1965 to further the cultural development and appreciation of the visual arts in Central Florida.
Designer Gingerbread Art at Orlando Museum of Art event, Festival of Trees.
Designer Gingerbread House at Orlando Museum of Art event, Festival of Trees.
Designer Gingerbread House at Orlando Museum of Art event, Festival of Trees.
A group of more than 300 volunteers holds fundraisers to support the Orlando Museum of Art. The Festival of Trees is now in its 32nd year is a much-anticipated event on the holiday social calendar.
Designer Gingerbread House at Orlando Museum of Art event, Festival of Trees.
Designer Gingerbread House at Orlando Museum of Art event, Festival of Trees.
If you enjoy holiday baking and cake making like me, I invite you to check out an episode of my show, The Design Tourist, where I interview celebrity chef Buddy Valastro, star of the TV show Cake Boss and hear from other celebrity pastry chefs as they share tips, tricks and ideas for couture cakes.
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My guilty conscious over single-use plastics started with the cases of bottled water, I used to stock in my household. After seeing horrific images of “plastic debris islands” floating in oceans, I switched to filtered refrigerator water that I carry around in my Yeti. In our throw-away culture, the plastics problem is hard to ignore and scary to think about its future ramifications for our planet.
photo credit: Humanscale and Bureo
According to Earth Day 2018, 32% of the 78 million tons of plastic packaging produced annually is left to flow into our oceans. By 2050, this could mean there will be more plastic than fish in the world’s oceans.
Reducing plastics production and consumption is only part of the solution to the plastics problem. The other half of the solution deals with the question: What to do with all of this existing plastic refuse? A growing design movement is using single-use plastic as a material for art and craft. At the forefront is a group of designers creating objects from recycled plastics as a longterm solution to the single-use plastic issue.
“Plastic, Beyond the Chipper” exhibit at London Design Fair, 2018
Their work was showcased at London Design Fair, in an exhibit entitled “Plastic, Beyond the Chipper.” Designers: Dirk vander Kooij, Charlotte Kidger, Kodai Iwamoto and Weez & Merl treat gathered plastic waste as a virgin material, imbuing it with new worth and meaning. Charlotte Kidger uses a zero-waste process in the making of durable sculptural objects.
Charlotte Kidger’s Industrial Craft Collection is a material based project focused around utilising plastic waste streams associated with CNC fabrication. Photo Credit: London Design Fair
Charlotte uses lightweight polyurethane foam dust, a by-product after the milling process left in abundant volumes. “Given that this material is still regarded as a niche plastic, it’s only means of disposal is through incineration or landfill. With a clear design opportunity I set out to find ways of utilizing and repurposing this undervalued and problematic material,” Charlotte says.
Kodai Iwamoto creates flower vases from PVC pipes
Kodai Iwamoto creates flower vases from PVC pipe by applying air pressure into a closed PVC pipe, slowly warmed by a heater to make it soft so he can mold it. Kodai says his PVC Handblowing Project gives what was a mass produced and cheap material, a new value
by transforming it into a well-made object.
PVC Handblowing Project by Kodai Iwamoto
Weez & Merl works with LDPE (Low-Density Polyethylene) found in carrier bags, bubble wrap and film packaging. The designers say LDPE is easy to work with by hand and can be endlessly remelted and repurposed to create truly sustainable products.
Weez & Merl creates the plastic ‘dough’ that has been marbled and quickly compression moulded using a hydraulic press – the plastic flows easily into detail on moulds. It is then left to cool to retain its new shape
Dirk Vander Kooij uses reclaimed synthetics ranging from CDs to rooftop windows to make his objects. Dirk uses 3D printing to create his buitenhuis chandelier.
Dirk Vander Kooij Studio
Each year, London Design Fair places the spotlight on a material currently holding precedence in the design world. With plastic as the focus for 2018, participating designers were selected who demonstrate how plastic is being repurposed in imaginative and valuable ways as a new virgin material in their creations.
Bureo works with fisherman to salvage and repurpose discarded fishing nets
At the forefront of recycling ocean plastics into useful objects are is a group of designers and companies known as the NextWave initiative who are leveraging supply chains as a means of keeping plastics out of the ocean.
Costa Sunglasses by Bureo made of recycled plastic fishing nets
Bureo joined forces with Costa Sunglasses to create The Untangled Collection. The sunglass frames are constructed from 100% recycled fishing nets and are fit with mineral glass lenses, avoiding the use of any new plastic materials and providing superior lens clarity and durability. The new line of responsible sunglasses features Costa’s patented 580 polarized lens technology in four new styles.
Warehouse of salvaged plastic fishing nets from the ocean to be turned into pellets to create recycled plastic objects. photo credit: Humanscale and Bureo
Humanscale, another founding member of NextWave Initiative worked with Bureo to produce the Smart Ocean chair that incorporates almost 2 lbs. of recycled fishing net material (NetPlus).
The Smart Ocean Chair made of recycled plastic fishing nets by Humanscale in partnership with Bureo
The nets are then transformed into plastic pellets and used to manufacture quality products such as skateboards, sunglasses, and now — for the first time ever — an ergonomic task chair.
Humanscale was the first company in the world to receive the Living Product Challenge certification in September 2016. The certification recognizes like-minded companies sharing the mission to achieve a net positive impact with their products and production methods.
Brands such as American Express are offering solutions to single-use plastics with innovative packing and products. Amex is creating the world’s first credit card made from upcycled marine plastic pollution. The global credit card company is partnering with Parley AIR to introduce the first credit card made primarily using Ocean Plastic. American Express’s first ocean plastic card is currently at prototype stage, but is expected to be available within 12 months.
Photo credit: Earth Day 2018
The aim of the collaboration is to raise awareness and offer a solution to the growing marine plastic problem. Amex says it’s waging war on single-use plastics, committing to a number of waste-reduction strategies as well as reduced carbon emissions, switching to renewable energy, and aiming for zero-waste certification for its headquarters by 2025.
As its answer to combating ocean plastic debris, cosmetics company Lush launched a ‘naked’ line of products free from packaging, as part of a new campaign launched on World Oceans Day (June 8). Lush says more than 40 percent of its products is completely packaging-free. The company’s ‘naked’ products aim to raise awareness of the effect of single-use plastic on ocean life and start a discussion on how consumers can tackle this global issue.
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The 11th edition of Holiday House NYC featured the work of twenty individuals/firms tapped to transform the eight-bedroom, 13,000-square-foot townhouse on the Upper East Side at 118 East 76th Street, New York, NY into “shoppable” rooms with items on sale on One Kings Lane. Founded by interior designer and breast cancer survivor Iris Danker in 2008, the showhouse is a benefit for the Breast Cancer Research Foundation (BFRF).
Sky Lounge in the 11th Annual Holiday House NYC by Interior designer Vanessa Deleon
Interior designer Vanessa Deleon returns to Holiday House NYC this year to transform a bi-level sky lounge and pool room into a dreamlike oasis of serenity. The theme of the room, “Speak No Evil, Hear No Evil, See No Evil” applies the proverbial principle towards cancer—if we can do away with the disease, we will never have to speak of it, hear of it, or see anyone suffer from it ever again.
Sky Lounge in the 11th Annual Holiday House NYC by Interior designer Vanessa Deleon
Deleon’s Holiday House creation reflects a cohesive, retreat-like space reminiscent of a seaside escape. The designer used a palette of blues on blues from the floor-to-ceiling Sicis mosaic already dominating the pool room as a jumping off point for the bi-level, loft-like space overlooking a pool on the top floor.
Sky Lounge in the 11th Annual Holiday House NYC by Interior designer Vanessa Deleon
As a means to enhance the seaside feel, Deleon created an art installation featuring photographer Laurie Fishman’s “Swimmers” series, depicting small-scaled swimmers gliding through open water. The circular grouping was designed to echo the circular chandelier overhead, while in the pool, round white LED-lit balls provide an ambient glow that illuminates the tiles. Undertones of silver add an element of tranquility, subconsciously reminding the visitor to relax while still referencing the spirit of the holidays.
Sky Lounge in the 11th Annual Holiday House NYC by Interior designer Vanessa Deleon
In the Sky Lounge, monochromatic furniture from Room & Board outfitted in waterproof Sunbrella fabric encourages relaxation and elevates preconceived notions of outdoor furniture. Accent pillows and a Room & Board Cardiff rug in ivory/gunmetal sits underfoot a Phillips collection pebbled rock, kidney-shaped coffee table. Against the wall, a Phillips Collection Crown Console in silver leaf sits beneath avant-garde accents such as an artfully arranged wall grouping of pearl white and polished aluminum Ball on the Wall art pieces. Various artful accents such as wire lounging art pieces in male and female silhouettes and elongated sculptures depicting the Three Wise Monkey’s age-old directive (See No Evil, Hear no Evil, Speak no Evil) add interest and depth.
The American tour Kimono Refashioned: 1870s-Now! opens October 13, 2018 at the Newark Art Museum showcasing the impact of Japanese garments, textiles, design and aesthetics on global fashions created by internationally recognized designers such as John Galliano, Sarah Burton for Alexander McQueen, Iris van Herpen and Issey Miyake.
The Kyoto Costume Institute photo by Takashi Hatakeyam
The exhibition, co-organized by the Kyoto Costume Institute and the Asian Art Museum of San Francisco, features more than 40 garments by more than 30 Japanese, European and American designers, underscoring the kimono’s influence in contemporary fashion.
The Kyoto Costume Institute photo by Takashi Hatakeyam
Kimono has influenced global fashion since Japan opened to the world in the late 19th century. Motifs used to decorate kimono, its form and silhouette, and its two-dimensional structure and linear cut have all been refashioned into a wide array of garments.
The Kyoto Costume Institute photo by Takashi Hatakeyam
“Kimono Refashioned will present dynamic and visually stunning manifestations of inter-cultural conversations between Japan and the West from the late 18th century through the lens of fashion,” said Interim Co-Director Ulysses Dietz.
The first section of Kimono Refashioned displays oil paintings by William Merritt Chase and Jacques-Joseph James Tissot from the late 1800s as early examples of the influence of kimono.
Kimono Refashioned displays oil paintings by William Merritt Chase and Jacques-Joseph James Tissot from the late 1800s as early examples of the influence of kimono.
The next section accents Japonism in fashion from the late 19th century to the 1920s, when new garments were inspired by the motifs, shapes and cuts of kimono.
John Galliano Ensemble / Autumn/Winter 1994 Collection of the Kyoto Costume Institute Photo by Takashi Hatakeyama
The third and largest portion of the exhibition explores contemporary fashion and its use of kimono’s flatness and silhouette, along with cutting-edge Japanese technologies–contemporary and historic–that were employed for weaving, dyeing and decorating textiles. The final section demonstrates how Japan continues to inspire the world of fashion through popular design, including manga and anime.
Raf Simmons Jacket, T-shirt, Trousers/ Autumn/Winter HC 2016 Collection of the Kyoto Costume Institute. Photo by Takashi Hatakeyama
Iris van Herpen Dress / Autumn/Winter HC 2016 Collection of the Kyoto Costume Institute. Photo by Takashi Hatakeyama
The Kyoto Costume Institute (KCI) pioneered Japonism’s research in fashion focusing on innovative Japanese designers since the late 20th century. KCI systematically collects and preserves authentic samples of western clothing from each era, together with the underpinnings that shape the clothing, and pertinent documents that explicate the background.
Yohji Yamamoto Dress / Spring/Summer 1995 Collection of the Kyoto Costume Institute Photo by Takashi Hatakeyama
The collection currently ranges from the 17th century to the present day, with holdings of 12,000 items of clothing and 16,000 documents.
The institute has received donations from some of today’s top designers and fashion houses such as Chanel, Christian Dior, Louis Vuitton and was presented with a gift of approximately 1,000 sets of clothing from Comme des Garçons.
Christian Louboutin Boots. Photo credit: The Kyoto Costume Institute
The Newark Museum is the exclusive East Coast venue for this exhibition, where it will remain on view until January 6, 2019.
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Mother Nature Meets Santa Claus in Holiday Looks For 2019
It’s July, the pivotal month where Christmas is on the brain with countless “Christmas in July” sales, specials and events aimed at getting you focused on the holiday season ahead. So, in honor of all this “Christmas in July” hype, I’m bringing you a look ahead at the trending holiday looks for 2019. For the latest holiday styles and decorating ideas, I look to Christmasworld, a global show for holiday decorations held annually in Frankfurt, Germany.
Photo credit: Messe Frankfurt Exhibition GmbH / Peter Litvai
Photo credit: Messe Frankfurt Exhibition GmbH/Gift Company
Expect the 2019 holiday season to couple Santa Claus with Mother Nature as natural materials and earthy motifs ground the tinsel, faux snow and bling, bling ornaments. Surfaces and structures lean towards nature with grainy, frosty and bark-like textures. Patterns are inspired by nature, including above all, fir trees, deer, twigs, snowflakes, stars and feathers. Wood makes a strong showing in decorative figures. Envision design elements such as wooden trays, candle holders, lanterns, twigs and coniferous wreaths, and hanging decorations in the shape of animals and fir cones.
Photo credit: Messe Frankfurt Exhibition GmbH/Designimdorf
Key color stories venture far beyond the traditional red and green with this trend towards natural themes with blue and green surfacing as dominant colors on holiday decor.
Photo credit: Messe Frankfurt Exhibition GmbH/Rui Camilo
There are many iterations of this Mother Nature-Meets Father Christmas. The look mixes animal, plants, insects and sea life in colorful, whimsical scenarios: woodland scenes with deer, squirrels and owls.
Photo credit: Messe Frankfurt Exhibition GmbH/Krebs + Sohn
Think jungles populated with peacocks, parrots, monkeys, orchid blossoms and palm leaves; meadows with blooms and butterflies and beetles and insects and underwater worlds swarming with jellyfish, corals, seashells, fish, crabs and seahorses.
Here are some of my favorite trending Christmas scenarios to get you inspired as you plan your holidays.
Warm Holiday Lighting:
Photo credit: Messe Frankfurt Exhibition GmbH/Pietro Sutera
Moving lights, wirelessly controlled by an App, bring the figures and objects to life. Warm golden light is visibly taking over from cold white light.
Photo credit: Messe Frankfurt Exhibition GmbH/Pietro Sutera
Transparent Christmas baubles filled with light have the potential to be favorite pieces.
Natural Ornaments:
Photo credit: Messe Frankfurt Exhibition GmbH/Pietro Sutera
Christmas decorations merge with real flowers and blossoms, green plants, twigs and succulents and faux flowers and plants as tree ornaments, wreath designs and mantel swags, all enhanced with the scents of candles, room sprays and scent diffusers.
Photo credit: Messe Frankfurt Exhibition GmbH/Rudolph Keramik
The color palette pulls in the colors of autumn leaves— red gold and aubergine as well as cinnamon, grey, beige and white with accents of black.
Folklore Influences:
Photo credit: Messe Frankfurt Exhibition GmbH/Peter Litvai
Folkloric motifs mix with patterns in color palettes of yellow, blue and red to create a richly decorated holidayscape with unexpected, humorous touches.
Photo credit: Messe Frankfurt Exhibition GmbH
Design elements include differently glazed and inscribed ceramics, gift boxes with blue printed and batik patterning, and candles in intense solid colors with gentle grooved designs. In between all this, there are eye-catching elements: paper maché rams and horses painted by Ukrainian artisans, strings of lights in the shape of small lobsters, and a wild band of robbers made of glass that is destined for hanging on the tree.
Minimalist Motif:
Photo credit: Messe Frankfurt Exhibition GmbH/Pietro Sutera
This holiday decor theme is an understated style in pure white, deep black, red gold, and cool grey. It draws influences from Japanese aesthetics to create a calm, meditative atmosphere with delicate materials. Artistically pleated, plaited and folded baubles and stars made of matt white paper make an appearance as tree decorations.
Photo credit: Messe Frankfurt Exhibition GmbH
Design elements include minimal shapes and simple materials such as chipboard, wire and paper, light wood, matt porcelain with perforated patterns, transparent glass baubles and cones dusted with white snow, ornaments with high-gloss silver or black surfaces, and marbled Christmas tree decorations in black and white, radiate calm.
Eclectic Gathering:
Photo credit: Messe Frankfurt Exhibition GmbH/Rui Camilo
Eclectic gathering is a quirky, vibrant look, full of energy, multifaceted, and intensely colored. The color story includes lemon, pink, mandarin, azure and rosé enriched with gold and grounded with black.
Photo credit: Messe Frankfurt Exhibition GmbH
This is a look of contrasts with figurative, fanciful and exaggerated design elements. Christmas baubles in neon colors and ombré-effect patterns, others embellished with sequins and mother-of-pearl work, iridescent bird ornaments, dragonflies dipped in gold, and glass jellyfish dusted with gold adorn the tree work together to create a visual feast.
Vintage Opulence:
Photo credit: Messe Frankfurt Exhibition GmbH/Shishi
This Christmas winter wonderland embraces color palettes inspired by the ocean, precious stones and minerals. Dark greens, dark blue shades, light blues, warm golds, bronze and metallic tones, combine to create a mystical, opulent holiday scape. Envision opalescent ornaments in aquamarine and aventurine shades of green with metallic effects, relief work, and patinas inspired by nature. Christmas decorations that are marbled, veined in gold, sprayed with glitter, and studded with pearls are very decorative.
Photo credit: Messe Frankfurt Exhibition GmbH/Pietro Sutera
Transparent glass decorations in the shape of crystals with a shimmering look, and precious glass baubles with seemingly rusted metallic coatings, create a mysterious and sumptuous effect. Gold bowls and ceramic dishes in the shape of large palm leaves are all part of this exalted style.
Photo credit: Messe Frankfurt Exhibition GmbH
For even more holiday decor ideas, check out my Holiday Tour of the famed Stetson Mansion:
For even more holiday decor ideas, check out this blog post.
The Latest Design Trends from NeoCon 2018 Create a Home Away from Home
As the office looks and feels more like home, architects and designers are ramping up the wellness factor. This growing concern for employee well-being brings into focus biophilic design concepts and sustainability all aimed at creating healthier commercial spaces.
At NeoCon 2018, held in June at The Mart in Chicago, the buzz was all about biophilic design, the practice of incorporating natural materials, natural light, vegetation, nature views and other experiences of the natural world into the workplace.
ESI Ergonomic Solutions LotusDX Lifestyle workstation
From adaptive furnishings to living walls and privacy pods, today’s office employs design elements that foster community and company culture, collaboration and physical activity with just the right dose of me-time.
Several standout exhibitors exemplify this new face of the workplace with innovative products that embody the direction commercial design is headed. Let’s break it down to five major design trends creating this new face of the workplace.
Biophilic Design:
Climate Office Hedge Elements are plant walls of philodendron that can be equipped with acoustically-effective filling for sound absorption that is made of recycling material.
Biophilic design counterbalances all of the time we spend indoors by strengthening our connection to the outside. Research shows that contact with nature stimulates the human parasympathetic system. The idea is rooted in Japan where the popularity of forest bathing prevails— taking walks outside among trees and nature to lower stress levels.
I discovered an interesting study from the environmental consulting firm Terrapin Bright Green. “The Economics of Design” found that incorporating nature into the built environment is not just a luxury, but a sound economic investment in health and productivity, based on well researched neurological and physiological evidence.
Privacy Pods:
Open-concept office spaces meant to spark collaboration and imagination come with a downside— the lack of privacy. To compensate for all that social space, there is a growing demand for products that provide privacy on demand. From agile partitions to mobile pods, manufacturers are offering new solutions to create quiet time away from other co-workers.
Framery Q provides a stylish solution with a quiet and comfortable space designed for two users to have meetings, work sessions and important conversations.
JabbrrX, cutting-edge IoT workspace solutions designed for use in open and semi-public spaces, the on-demand consumer amenity offers the perfect environment for on-the-go work, well-being, and privacy.
JabbrrX, cutting-edge IoT workspace solutions designed for use in open and semi-public spaces, the on-demand consumer amenity offers the perfect environment for on-the-go work, well-being, and privacy.
Healthy Products:
Healthy products and materials in the workplace that minimize or eliminate off-gassing and are crafted of recycled materials also factor into employee well-being at work.
Room One is a privacy solution for open-plan offices designed to create a moment of peace in the open-plan office made with recycled plastic bottles. Engineered to reduce noise in the office, helping support employees’ work preferences as well as mental health and well-being, the system’s human-centric design is easy to customize.
One standout sustainable product caught my attention with signage bearing the quote: “20,000 bottles are bought every second, by 2050 the ocean will contain more plastic by weight than fish. Source: Ellen Macarthur foundation. It makes you stop and think, doesn’t it? What about all those ubiquitous plastic water bottles and soda bottles.
We know China has tamped down on recycling our plastic refuse as a consequence of escalating trade tensions. Sustainable manufacturers are vital to our earth’s health more than ever in the marketplace, innovating ways to reuse our refuse. For that, I give props to Shaw Contract for launching its new product category, PET Resilient flooring made from 40 percent post-consumer recycled content. The Palette collection is made of 16 recycled plastic bottles per square foot, 64 recycled bottles per plank, and no plasticizers, chlorine, or PVC. Starting with a minimum of 40 percent post-consumer recycled content, its trajectory aims to dramatically increase the use of PCC plastics to minimize our carbon footprint.
Designed in collaboration with Jason McLennan of McLennan Design, Lichen is the first flooring product to achieve the International Living Future Institute Living Product Challenge Petal certification.
Another sustainable product standout is the Lichen Collection by Mohawk Group, a new modular plank carpet system, inspired by the idea of “Nature’s Carpet. ” Mohawk Group says the creation and specifying of Lichen has a net positive impact for people and the environment, through innovations in materials, manufacturing and community involvement.
Get Up and Move:
As architects and designers seek ways to get employees up from their desks and moving more, adaptive furnishings are gaining popularity as one solution. Reconfigurable and highly adjustable furnishings promote physical activity on at work. There is a growing product category of active workspaces with new sit-to-stand capabilities such as the Accel Active Desktop that provides ample space for a variety of work tasks and repositions at the touch of a button – no lifting effort required.
The Sound of Silence:
Floating Panel Workspace CoArt Acoustics
All this open space in the workplace makes means sound mitigation can be challenging. Acoustical solutions that minimize unwanted noise at work are essential to loft-like commercial spaces and NeoCon offered a wide range of products promoting the sound of silence.
Lina Mosaic sound absorbing panels
Polarmoss Flex Element, made of reindeer moss, panels for interior walls.
This year NeoCon celebrated its 50th anniversary, with a nod towards its beginnings as a commercial design industry trade show in 1969.
Studio TK, a NeoCon exhibitor, succinctly captured the gist of the collective conversation on a sign that read: “Social spaces, that create connections, prioritize well-being and express a point of view, have a work culture that empowers people to do the same.”
Studio TK
This blurring of the lines between home and office challenges designers to create productive, comfortable workspaces that emulate the comforts of home but with the on-the-job structure.
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I recently appeared as a guest on the podcast Wives Winedown Wednesday to share the latest home interior trends and decorating tips and tricks. To listen to the full podcast, available on SoundCloud, click below:
While sipping wine with hosts Angela Bell Deems, Mitzi Hoag, and Lauren Graham White, the ladies wanted to hear about the basic direction home style is headed.
Me, Karen LeBlanc, Design Journalist, aka The Design Tourist, with the hosts of the Wives Winedown Wednesday Podcast, Angela Bell Deems, Mitzi Hoag, and Lauren Graham White
Here are the top takeaways from my Podcast design chat:
Making It Personal is the Predominant Style in Living Spaces:
The latest looks are all about personality and authenticity rather than copycat styles torn from the glossy pages of shelter magazines. The overarching trend in home decor is more of an anti-trend— it’s all about creating spaces that tell your story through thoughtfully collected and curated elements and objects rather than meaningless stuff. Fill your home with possessions that have backstories which give them beauty and value that supersede any price tag.
Stylish-ISH is the Design Mantra:
As people seek to personalize their living spaces, there is a lot of design-hacking going on, this riff on established styles. I call this home decor movement “Stylish-ISH” adding a dose of “ishness” that customizes the standard style lexicon: Think “Modern-ISH, Industrial-ISH, Retro-ISH and Traditional-ISH and you get the idea. Modern-ISH is sleekness softened with natural materials and textures.
Retro-ISH brings in vintage elements in a modern-day setting creating a space that hints at nostalgia without looking like a museum exhibit.
Industrial-ISH style takes on a softer, lighter look striking a balance between machination and sophistication with knurled detailing, warm metals, especially rose gold and copper, and glass elements.
My Decorating Formula:
The family room in my personal home embodies my design formula
I also wanted to share with you my formula for decorating rooms: Texture + Color + Metallic+ Organic =Timeless Decor. I think every room should speak to the senses with fabrics pleasing to the touch, plants that ground us in nature, metallic accents to bounce light and brighten the space and natural materials such as wood or stone for timeless appeal.
Deep Thoughts on Design:
As we embrace the idea of our living space as an autobiographical statement rather than a style with no substance, we are drawn to products, materials and objects that tell our story through craftsmanship and traditional artisan techniques rather than mass production. This emphasis on handmade, limited edition pieces circles back to our desire to personalize our homes rather than that “keep up with the Joneses” look so pervasive in the 90s and early 2000s. As I said in the podcast, it’s an exciting time to design and create because there are no rules.” If it speaks to you, then it has style no matter how cray-cray others may say:
2018 © Nickolas Sargent Photography
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